With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Julien Baker & TORRES, Send a Prayer My Way
Baker and Mackenzie Scott’s debut pop-country collaboration is made up of a nuanced and emotionally kinetic set of hangdog story-songs that wear their nudie suits with pride.

Mamalarky, Hex Key
The psych-pop quartet are churning out some of the most clear-headed fuzz rock of their career, meeting inner turmoil with a funkified grace on their third album.

Beirut, A Study of Losses
Zach Condon’s 18-song epic commissioned by a Swedish circus and inspired by a German book about cultural loss marks his most exploratory album since his Balkan indie-folk days.
Jonah Bayer

With his band’s sixth full-length Neon Pill out now, the frontman discusses how bouncing back from medication-induced psychosis informed the record and gave him a new lease on life.

With his new book out now, the punk frontman and academic discusses connecting the dots between those disparate facets of his life.

After contributing to SOS’s “Songs That Found Me at the Right Time” cover series, both artists discuss the unique challenges musicians face and how they work through them.

The Against Me! vocalist chats with Mattiel Brown and Jonah Swilley about their recent album Georgia Gothic—and the likelihood that Jeff Goldblum has heard the single they named after him.

After connecting when their time living in LA briefly overlapped, the composers teamed up on a pair of collaborative LPs inspired by their time in the city.

After co-founding Drive Like Jehu, Hot Snakes, and other influential groups over the past few decades, Reis discusses the acoustic world of his first solo venture.

With the Toronto-based punks’ fourth LP out now, Babcock talks imposter syndrome, the band’s remarkable inability to avoid self-sabotage, and more.

The English songwriter talks building character and finding his place in the punk paradigm on the heels of his ninth full-length.

Bridwell (and his dog) takes us through the “personal difficulties” that bogged down the album’s release schedule and discusses the band’s punk-rock ethos.

The musicians describe their collaborative follow-up to Texas Sun, and how the Lone Star State has influenced their output.

In our “In Conversation” video chat, Pryor, the host of the new “Vagrant Records: 25 Years on the Streets” podcast, and Carrabba discuss their upcoming episode together and their history with the label.

The band’s drummer and album designer discuss the new collection of illustrations and lyrics by the late frontman.

Without sarcasm or snark, the new book details this curious moment in rock in a way that’s as appealing to completists as it is to casual fans.

David F. Bello and Chris Teti on taking their time on (and losing sleep over) the band’s fourth LP.

The prolific songwriter shares how “The Sound of Yourself” was the result of a no-pressure recording process during lockdown.

Dustin Kensrue discusses stepping outside of his comfort zone on the post-hardcore group’s 11th studio album.

Along with our Q&A with Walter Schriefels, the NY-based collective is debuting a new video for “Brushed” filmed live at Brooklyn’s Vinegar Hill Studios.

The longstanding punk group’s vocalist discusses their ninth LP and the relevance of its politics in our latest video interview.

The members of Taking Back Sunday, Circa Survive, and Grouplove discuss their recent EP together in our latest video interview.

Aukerman tells us how the West Coast punks’ eighth studio album—which was nearly 20 years in the making—finally came together.