FLOOD

With the California sun in his eyes, the dark master of atmosphere and ambience has just released his lightest-ever record, the appropriately titled “Love Streams.” But that doesn’t mean he’s going soft.

All good things come to an end.

Parquet Courts possess a unique skill: making each of their albums sound as if it was their first.

Stirring up dirt in the Joshua Tree desert with Iggy Pop and Josh Homme—the world’s smartest Dum Dum Boys—to talk “Post Pop Depression,” this year’s most devastating rock album.

Ariel Rechtshaid knows how to pick ’em.

With some infectious dance moments in the mix, “A Man Alive” is a complex journey into the soul with life-affirming side effects.

So Pitted pulls the cloth off the table, but instead of trying to execute a magic trick, the band gleefully lets all the dishes crash to the floor.

Nathan Rodriguez and his band are boldly going where no rock band has gone before—and fucking around a bit, too.

Canada’s greatest post-rock band provokes introspection, obedience, and awe.

“On Nature” continues to energetically vacillate between tight and drifting experimentation.

This weekend’s fourth edition of the massive alternative comedy fest sprawls across downtown Los Angeles.

All of your favorite comics—and their favorite comics—will be in downtown LA this weekend.

“★” (pronounced “Blackstar”) nestles in with his kraut-favoring releases, with Bowie deferring much of the limelight to sax, flute, keys, bass, and drums.

Day eighteen of Red Bull Sound Select’s 30 Days in Los Angeles speeds into punk territory with a fiery show led by No Age.

Catching up with the Los Angeles–based artist on the occasion of his Star Wars–themed FLOOD Gallery show

The creators behind 30 Days in LA’s iconic show posters talk about their inspiration.

“Prescient” is a word that gets tossed around often, but Maserati deserve a hearty pat on the back for coming up with a retro-rock sound about fifteen years ago.

The angel-voiced artist behind massive single “Younger” talks about overcoming fear and finding her own style.

Bigger and louder isn’t always better, and it’s impressive that such a young band has already figured this out.

“New Bermuda” is the new black (metal).