Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Shearwater, The New World
Jonathan Meiburg’s lyrical approach flits between apocalyptic soothsaying and naturalist poetry on his band’s ambitious and worldly eleventh album, which thrums with field recordings.
Ween, 12 Golden Country Greats [30th Anniversary Deluxe Edition]
Embellished with over 20 unreleased demos and session outtakes, the brothers’ 1996 foray into country was as devoted to a single sound as they would ever be.
REZN, Cycles in the Infinite Dream
After a decade together, the Chicago psych-doom quartet craft a second album for Sargent House that’s as deadly serious in story as it is execution.
Margaret Farrell
It’s the Queens rapper’s first release since his 2021 album Deem’s Tape.
The song was written for the forthcoming documentary Wildcat.
It’s the fifth single the Berlin-based musician has released this year.
The post-punk icon is releasing her debut album I Play My Bass Loud on February 24 via Third Man Records.
The six-hour webcast features performances by Run the Jewels, Rise Against, Bully, OK Go, The Range, Shakey Graves, and many more.
It’s the second single from the rapper-producer’s forthcoming album Beware of the Monkey.
Her debut EP You of Now Pt. 1 arrived this past May.
A deluxe version of her 2019 LP Trinity—featuring a handful of additional remixes—arrives November 19.
It’s the Brooklyn-based quartet’s debut single for True Panther.
It’s the second single from the Stockholm-based group, following last month’s debut release.
So far, it’s the sole single we’ve gotten from the artist this year.
The Irish musician’s forthcoming album Theatre is out November 18.
The fest takes place in downtown Phoenix on March 3 & 4.
Swift is finally bringing her four most recent albums to life with additional support from beabadoobee, girl in red, Gracie Abrams, and others.
The Toronto-based musician’s new single is the first release on his new label home of Dine Alone Records.
The group’s final project before a planned hiatus is out November 17.
It’s the second single from the rapper this year.
The cover comes alongside a revamp of “Unbraid” from her recent album Let’s Turn It Into Sound.
The visual was created by The Last Black Man In San Francisco director Joe Talbot.
The adaptation of “I felt a Funeral, in my Brain” follows Bird’s recent album Inside Problems that came out over the summer.
