Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Minnesota Artists United Against ICE, Melt ICE
This gigantic comp album featuring 110 Minnesotan artists raising funds for immigrant communities terrorized by ICE may also happen to be where you find your new favorite band.
Morrissey, Make-Up Is a Lie
It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.
Bill Callahan, My Days of 58
Well-observed, a bit absurd, and wholly singular, this “hobo stew” permits each instrument and each musical idea to embrace Callahan’s discursive lyrical and structural style.
Margaret Farrell
The song was written for the forthcoming documentary Wildcat.
It’s the fifth single the Berlin-based musician has released this year.
The post-punk icon is releasing her debut album I Play My Bass Loud on February 24 via Third Man Records.
The six-hour webcast features performances by Run the Jewels, Rise Against, Bully, OK Go, The Range, Shakey Graves, and many more.
It’s the second single from the rapper-producer’s forthcoming album Beware of the Monkey.
Her debut EP You of Now Pt. 1 arrived this past May.
A deluxe version of her 2019 LP Trinity—featuring a handful of additional remixes—arrives November 19.
It’s the Brooklyn-based quartet’s debut single for True Panther.
It’s the second single from the Stockholm-based group, following last month’s debut release.
So far, it’s the sole single we’ve gotten from the artist this year.
The Irish musician’s forthcoming album Theatre is out November 18.
The fest takes place in downtown Phoenix on March 3 & 4.
Swift is finally bringing her four most recent albums to life with additional support from beabadoobee, girl in red, Gracie Abrams, and others.
The Toronto-based musician’s new single is the first release on his new label home of Dine Alone Records.
The group’s final project before a planned hiatus is out November 17.
It’s the second single from the rapper this year.
The cover comes alongside a revamp of “Unbraid” from her recent album Let’s Turn It Into Sound.
The visual was created by The Last Black Man In San Francisco director Joe Talbot.
The adaptation of “I felt a Funeral, in my Brain” follows Bird’s recent album Inside Problems that came out over the summer.
The drummer’s first solo LP since 2017’s Let Me Go is out February 24 via Bella Union.
