Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Cola, Cost of Living Adjustment
While they continue to excel at lo-fi post-punk, the Canadian outfit’s third album mixes the angularity and simplicity of their previous LPs with something much lusher and richer.
Broken Social Scene, Remember the Humans
The amorphous Canadian supergroup returns after nearly a decade to unearth a brand new yet wholly familiar artful rock sound with a surprising amount of momentum behind it.
Tom Petty & the Heartbreakers, Live at the Paradise Rock Club, 1978
Recorded via two-track by WBCN-FM Boston in time for the band’s sophomore album, this live LP is a rare contact high connected to the sage rage of their earliest punk-rock days.
Margaret Farrell
Hear the first single from Slater’s forthcoming 9-track project.
This is their third single ahead of the release of “Hearts of Gold” out March 12 on Pure Noise.
Following the release of “Good Days,” she’s teamed up with Tazo Tea and American Forests to combat climate change in BIPOC areas.
From their debut “Introducing…The Pink Stones,” out April 9 via Normaltown Records.
The news arrives on the heels of “New York Times Presents: Framing Britney Spears.”
Yung Yemi
This is the Toronto rapper’s second single of 2021.
Following last year’s “Jaguar” LP, she takes us to the wild wild west.
Photo credit: Justin Brown
The Internet songwriter shares her first solo single since 2017’s “Fin.”
Stevens earned an Oscar nom for his music featured in Guadagnino’s “Call Me By Your Name.”
The lead single from the ex-HOLYCHILD songwriter’s debut EP arrives with an open letter from Elizabeth Nistico to herself.
It’s the group’s latest single following 2019’s Stuffed & Ready.
Today is Wednesday, but it marks the tenth anniversary of the viral video.
The eight-episode series airs March 26 via the National Geographic Channel.
The track originally appeared on Garzón-Montano’s 2020 album “Agüita.”
The track arrives ahead of their forthcoming album “Constellations,” out March 26.
The SBLV halftime show was an eerie representation of isolation and denial of death.
It’s the latest single from Portugal-based musician Guilherme Correia.
Featuring never-before-seen content, the “virtual time capsule” premieres tonight on YouTube.
The remix follows the trio’s quarantine-recorded “Remote” EP.
The track is featured in the Shaka King–directed film “Judas and the Black Messiah.”
