With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Kaitlyn Aurelia Smith & Joe Goddard, Neptunes
Each track on the electronic composer and Hot Chip leader’s debut EP together has a unique rhythmic texture, with the constant theme being a wall of bass that transports you to a celestial space.
New Order, Brotherhood [Definitive Edition]
With one side dedicated to icy compu-disco and the other tied to the band’s beyond-punk origin story, this expanded reissue brings new order to the 1986 curio with live recordings, remixes, and more.
Father John Misty, Mahashmashana
Josh Tillman focuses his lens on death on his darkly comedic sixth album as eclectic instrumentation continues to buttress his folky chamber pop beyond ’70s pastiche.
Max Freedman
After closing their Brooklyn hub, the concert and visual arts series lives on as a pop-up event.
Frankie Broyles and Philip Frobos talk about the “Networker” single and its “Top of The Pops”–recalling video.
To honor New Deal Skateboards’ legacy, the skating icon is turning to longtime friends, new followers, and one especially legendary street artist.
In inviting collaborators to the table, Hval has crafted her most evocative and pop-structured record to date.
Ringel doesn’t just partner brands with artists—he unites household names with shared values.
Sergent believes that anyone should be able to find live music anywhere, anytime.
On “Animated Violence Mild,” Benjamin John Power praises drag and laments consumerism.
In contemplating multiple recent losses in her life, Erin Birgy tightens her grip on the bizarre.
The Los Angeles–based musician’s fourth album confronts humanity’s bleak future head-on.
In cutting herself off from society to study woodworking, Le Bon accidentally wrote her most direct songs to date.
Seven albums in, Pile is finally Rick Maguire’s only gig. He never quite expected to make the leap.
Although her self-titled record is her solo debut, she’s contributed to the works of countless others—and her prowess is apparent.
Even though her band’s music presents immense insight into society’s ills, Clementine is still getting to know herself. And that’s OK.
Daughter’s frontperson, already beloved for her bravely desolate lyrics, launched a new solo project—Ex:Re—to provide her most devastating songs yet. But she’s far from lonesome.
Given the ethos behind their band, surprise releasing a killer record wasn’t much of a surprise for Sarah Midori Perry, Gus Lobban, and Jamie Bulled.
Even with members scattered across different cities and schools, Forth Wanderers just keeps getting tighter.
The Welsh producer first made waves working with Daniel Avery and Jenny Hval. Now it’s her turn.
The Swedish artist explores the relationship between time, location, and emotion—all on the Trans-Siberian Railway.
The Montreal producer and singer shows a new face on “Field of Love.”