Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Interpol, This Mirror Weighs a Ton
Nearly 25 years after their debut, the post-punk revivalists shatter the illusion of entropy with an ominous collision of tech-era anxieties and visceral sonic world-building.
Mastodon, Marrow Deep
On their eerie, electrifying return, the Atlanta metal icons cut through the mire of grief and come up with a spectacular, pained record that’s among the finest of their career.
Mike D, Thank You
Mike Diamond maintains the close-knit familial vibe and youthful effusion the Beastie Boys forged in 1981 on a debut solo effort full of looped synths and snaggle-toothed raps.
Mike LeSuer
The 8-bit-inspired track will appear on the alt-rocker’s upcoming debut solo album Up’s the New Down, dropping September 25 via Tip Top Records.
Kevin Rowland shares formative tracks by The Beach Boys, The Supremes, Van Morrison, and more ahead of his band’s reflective new album.
The Majority Rule offshoot’s fourth album Between the Sword and the Neck will arrive October 30 via Iodine Recordings.
Coming off production work for Ninajirachi and Wisp, the Australian artist shares how everything from progressive trance music to mall screamo helped shape his self-descriptive new solo effort.
You Seem Pretty Pink for a Baja Blast hits Taco Bell fountains nationwide next month.
Doggone, the Portland-based songwriter’s third album and Full Time Hobby debut, will arrive on October 23.
The TOPS synth player shares how science fiction, ASMR, and a certain late-night encounter led to the formation of her second solo LP.
The LA-via-Houston artist’s debut album AFRO URF is expected to arrive on September 25 via Future Gods.
The LA band shares a video for the eight-minute single from Slagroom, their upcoming debut album for Danger Collective.
After road-testing the single on a recent tour with Panchiko, the Connecticut indie rockers will include it on their forthcoming record On the Quay.
Tyler Mabry and Harlow Phillips share how CMAT, Frightened Rabbit, Dove Ellis, and more helped them shape their vision for their major-label debut.
The doom-folk songwriter’s third LP for Orindal Records will arrive on October 9.
Formerly known as Leponds, the songwriter’s new album This Bed Was Made for Me will arrive on September 18 via Father/Daughter Records.
The new single lands ahead of the Nashville-based songwriter’s first album in over six years, Drama.
The Shudder to Think frontman and Yellowjackets composer shares which tunes by Charli XCX, Nirosta Steel, and Aldous Harding he’s had on repeat.
The Chicago-based Latin-alt band continues to tease their fourth album Es Amor, arriving August 28 via Otherly Love.
The Japanese indietronica icon shares how Op art, Olafur Eliasson’s installations, and more helped him take his latest compositions in a new direction.
It’s the third track to be shared so far from the album, which arrives in full on October 2 via AWAL.
The actress and songwriter discusses the personal nature of each song on the new release, which she co-produced with Jesse Boykins III and MeLo-X.
Nathan Williams and Max Bemis’ joint LP Cherry Soda is scheduled to drop September 18 via I Surrender Records.
