Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Morrissey, Make-Up Is a Lie
It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.
Bill Callahan, My Days of 58
Well-observed, a bit absurd, and wholly singular, this “hobo stew” permits each instrument and each musical idea to embrace Callahan’s discursive lyrical and structural style.
Flying Lotus, Big Mama
A hodgepodge of electronic textures, genres, and styles, the artist’s proper debut for his own Brainfeeder label feels improvisational despite its meticulous craftsmanship.
Mike LeSuer
The track arrives with news of her debut album Don’t Take My Dream Away, arriving May 19 via Danger Collective.
The visual was inspired by David Bowie’s star turn in Nicolas Roeg’s 1977 cult sci-fi.
The Funs’ Jessee Rose Crane and Philip Lesicko will release their self-titled debut under the new moniker on April 14 via Born Yesterday Records.
Before returning to SXSW under his rap moniker, Buress shares a new version of his 2022 single.
Andrews’ fourth album Love for the Underdog arrives April 28 via Woodsist.
The Chicago trio’s new track is the latest from Fire Talk Records’ Open Tab imprint.
The La Luz vocalist’s sophomore solo record is out now via Hardly Art.
The track lands ahead of Husband’s upcoming tour of the Western US following a stint at SXSW.
The City Mouth–featuring single follows the pop-punk outfit’s 2020 LP Home Remedy.
With the album originally released in November, the latest visual was created by Cloakroom’s Bobby Markos.
Kicking off June 4, season six will claim Diplo, Rico Nasty, Tinashe, Lil Yachty, and more as victims.
Hopefully somewhere right now Bill Callahan is prepping a track called “Indigo De Souza.”
The new track lands with a set of headlining dates to follow the band’s appearance at SXSW.
The clip complements the single which is set to appear on Matthew Robert Cooper’s new album (Whirring Marvels In) Consensus Reality, arriving May 12 via Temporary Residence.
Patrick McDermott and Barry Walker’s new LP Long Cool World is out April 7 via Third Man Records.
Christian and Louie Baello share the set of songs they’ll have on repeat as they set off on their North American tour later this week.
On its tenth anniversary, Mark Perro discusses how the NYC guitar-rock group’s 2013 LP paved the way for the band to open up their sound.
The new single comes from the post-hardcore trio’s third LP Lost, out April 14 via Born Losers.
The West Coast garage-rock duo’s eighth album Upside Down in Heaven is slated for release on April 7 via Lolipop Records.
The ’70s-harkening track arrives ahead of the Atlanta garage-rockers’ sixth LP On and On and Gone, out June 2 via My Anxious Mouth.
