Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
@, Autosmile
The experimental duo coil psychedelic-folk introspection around prog-rock guitar flourishes across the dramatically pivoting tracklist of their acoustically oriented debut for 4AD.
Rachel Chinouriri, I Think I Spoke Too Soon
On her second album, the English artist pivots to clubbier sounds that both satisfy and sting as she suppresses loneliness with a fake smile and a polished dance-pop sheen.
Fontaines D.C., Dopamine Chamber
Opting for a synthetic architecture over the driving guitar language of earlier records, the Dublin band shatters their sonic frontier to reveal a grim catechism for hyper-processed hedonism.
Mike LeSuer
You can listen to “Everything Pale Blue” in full ahead of its Friday release via Orindal Records.
The LA-based songwriter is sharing a video for the track from his newly released “Keep Trying” EP.
The month’s most discourse-worthy singles, according to our Senior Editor.
The artist shares how the expansive set of songs featuring Mac DeMarco, Cola Boyy, and more came together.
The New Orleans–based duo’s latest LP, “I Could Only See Night,” is out now.
It’s the second track Bauer’s released this year via his label Fortune Tellers.
With news of a second Trust Records pressing of their seminal 1980 debut album “Group Sex,” Morris tells us what he was jamming in the early ’80s.
It’s the second track released from the Beijing group’s forthcoming “Phantom Rhythm Remixed.”
It’s the latest single from the Chicago group’s self-titled final album.
The songwriter’s Epitaph debut “Sucker Supreme” arrives this Friday.
The industrial Toronto duo’s fifth album arrives this fall via Felte.
With his Captured Tracks debut “Some Days” out today, Jeremy Haywood-Smith shares a playlist of some of his favorite tracks by Winnipeg peers.
The songwriter walks us through his debut album—which drops today—track by track.
The second single from “Bowling” is dedicated to the TV show that continues to inspire Joseph Flores.
Matt Berry’s single and B-sides collection “Throne of Ivory” drops tomorrow via Run for Cover.
Peter Brewis compiles 11 tracks he’s come around to since he first heard them around the house as a kid.
Autosave-File vom d-lab2/3 der AgfaPhoto GmbH
“Holidays Inside” arrives June 25.
The Canadian duo will release the record June 18 via We Are Time Records.
The single and its visual arrive ahead of the Brooklyn rockers’ “Site Out of Mind” LP.
Watch the video for the first single from Travis Egedy’s new album, out July 9.
