Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Warning, Rituals of Shame
The pummeling hypnotism of the doom-metal band’s first new material in 20 years still feels perfectly matched to Patrick Walker’s pained howls and Vantablack-hued emotions.
Styrofoam Winos, Any River
The Nashville group’s country-leaning third album is full of nuance, from the sheer array of instrumentation to its affective emotional dynamics.
Swamp Dogg, Swamp Dogg Contemplates the Afterlife
The country-R&B cult hero crafts an album about the afterlife that’s reflective of decades filled with hurt and hurting.
Mike LeSuer
Ahead of the release of their self-titled debut this Friday, the fourpiece get acquainted with their new city.
Tobias Grave answers a few of our questions along with the early stream of the record officially out this Friday.
The track arrives ahead of Ezekiel’s “Everything Is Under Alarm” EP, out December 4.
Kicking off Thursday night with a candlelight vigil outside of SaveMoneySaveLife’s office, the initiative will also be live streamed.
Murs and Zack Fox also appeared on the “Eric Andre Show” bit.
It’s the second single from Savanna Dickhut’s forthcoming debut record, “Late Bloomer.”
Ahead of the release of “I saw first light,” the songwriter shares four records that best define the label for her.
The drummer’s sophomore solo LP is out January 15 via Joyful Noise.
Justin Broadrick reflects upon this grey, dragging moment in history, highlighting the beauty we tend to ignore.
The Belarusian coldwave trio detail their third album, out today via Sacred Bones.
The emcee and producer talk us through their new LP covering everything from the pandemic to Black Lives Matter.
The underground icon details his lengthy eighth record and the universe it inhabits.
Recorded in the Preservation Hall Jazz Band’s studio in New Orleans, the LP is set to drop February 5.
With the rappers’ “FlySiifu’s” dropping this week, they made a playlist of their favorite joint tracks.
The track will lead off the Minneapolis band’s EP of the same name, out January 22 on Slumberland Records.
Pay what you want for the eight tracks Peggy’s put out since dropping “All My Heroes Are Cornballs.”
David Cohn and Greg Saunier’s improvisational album balances anxiety and quirk in a way only these two artists could.
The project formed by Huggy Bear’s Chris Rowley and Male Bonding’s John Arthur Webb has a record out via What’s Your Rupture? today.
EPSON MFP image
Andre and Vonne share 12 tracks that would make their set if they were given the aux at their favorite Central Florida dive right now.
The U.K. post-punks experiment with spoken word and famous whistlers on their latest single.
