FLOOD

It’s no secret that Stephen Colbert is massive Lord of the Rings fan (he’s got Aragorn and Bilbo’s swords in his studio and…

Alex Winston knows how to turn heads quickly. Case in point: the Detroit-born songstress has just released her soaring single “Careless.” Classically…

Clever craftsman Dan Deacon has premiered his music video for “Feel the Lightning” to accompany today’s announcement of his new album Gliss…

It’s no secret that in-flight beverages have always tended to be on the bland side. Maybe it was cool to…

With December finally here, the holiday season is in full-swing. That means that instead of spending your coveted, lazy weekends to…

Released right on queue with this month’s full moon, Hanni El Khatib‘s video for “Moonlight” is eerie and disturbing, but it’s…

Georgia Nott, one-half of the New Zealand duo Broods, discusses the creation of their debut, Evergreen, one of the breakthrough records of the year.

Earlier this week, Australian electronic duo Flight Facilities released their debut LP Down to Earth. Now they’ve shared a music video for…

Happy National Cat Day! Perhaps you’re lucky enough to share your life with a little fluff ball, but if you…

José González will release his first solo album in seven years this upcoming February, a debut in sharing wholly original…

Although it reaches for life and vigor, Hold My Home seems to still be on the hunt for its soul.

Just when you thought festival season was over, San Francisco’s Treasure Island Music Festival sneaks up with a weekend full of art, food, beer, and duh…great music.

While its title may hint at a bow towards sluggish and stale, Still Life is anything but.

Blending the opposing worlds of tender gospel and dark rock has given Hozier a solid album, but the ability to adapt will give him a career.

There’s no doubt that a bright future is in the cards for this duo, with immense talent as heard this debut, but they need to come out from under the shadow of other indie-pop trends to truly last.

When The Growlers’ home studio burnt to the ground in a freak fireworks accident, it was unclear what the band would make of the ashes. Somewhere amidst that immense loss, the band’s newfound nomadic lifestyle would ultimately serve as the overarching theme for “Chinese Fountain.”

Alaina Moore and Patrick Riley have come quite a way since living on a sailboat, but Tennis’s third album Ritual in Repeat is as buoyant and enjoyable as ever.

As proven with their 2013 debut Trip Trap Attack, Beach Day know how to make surf-pop tunes that urge you to plunge into the nearest body of water.

Got A Girl came to fruition when Dan “The Automator” Nakamura (Gorillaz, Deltron 3030) was working on Scott Pilgrim vs. The World, met Mary Elizabeth Winstead—who induced severe swooning in her role as Ramona Flowers—and both thought, “Why the hell not make music together?”

After the two bonded over similar musical tastes, the rockers decided to try their hand at creating a fuzzed-up, dreamy pop-rock record together. Careers is loosely wound, yet structurally focused.