Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Arlo Parks, Ambiguous Desire
Vulnerability is baked into the heartbeat of the British songwriter’s third album with an aching groove lifted to new levels courtesy of the ecstasy of dance music.
José González, Against the Dying of the Light
With his fifth album, the Swedish songwriter considers his deepest of existential queries while maintaining the effervescent, seductive sound that’s the strongest through line in his career.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
Kim March
Volume 2 of Collier’s consummate four-album project “Djesse” is out July 19.
First we got a Wu doc; now we’re getting a biopic.
The video teases potential new music, and it’s basically ASMR.
The graffiti and street art exhibition opens in Brooklyn today.
It’s a galactic musical collage featuring Chris Martin, Quincy Jones, and dodie.
The edgy English pop star is releasing music feat. Lizzo, HAIM, Troye Sivan, and many more.
LA’s sax-happy post-punks introduce their brand new album with commentary for each of its ten songs.
The former Moldy Peach’s tenth solo record, “Engine of Paradise,” will be accompanied by a graphic novel called “War and Paradise.”
Clementine Creevy’s middle finger to the patriarchy gets a club-ready beat.
The soul jazz legend gives a rousing performance of the non-album track between sets at last year’s festival.
“Descending” and “The Moth” will be included on the “All About Eve” soundtrack, out later this month.
“Help Us Stranger” is the foursome’s first album in eleven years.
“When dealing with depression, you often feel static, or numb, while the world around you seems chaotic.”
The former Band of Horses guitarist is releasing his new solo album, For the Morning, in April.
Following the release of February’s “Let’s Try The After – Vol 1,” the band is releasing a companion EP in April.
And they somehow made the song sound even sadder than the original.
Jerry Seinfeld plus bagels? Now that’s a classic combo.
The Arkansas rapper has a new EP out today, and a set at FLOODfest @ SXSW next week.
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The band is reprising “Baby Mine,” the saddest tune from the O.G. Disney flick, for Tim Burton’s remake.
The Aussie songwriter performs the opening track to her 2017 self-titled album for her Slab Session.
