With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
The Weeknd, Hurry Up Tomorrow
This hypnotic, 85-minute opus which Abel Tesfaye claims will be the final statement from his long-running moniker may be his biggest bonfire to his vanities—that is, until it flames out.
MIKE, Showbiz!
The NYC-based rapper’s ninth solo album toes the line between lo-fi, soul, jazz, and ambient electronics, adding a newfound sense of resolve to the grief explored on recent release.
Bonnie “Prince” Billy, The Purple Bird
Created in tribute to his friendship with producer Dave Ferguson, the youthful energy they channel together works well for a no-frills country record that gets so much done with so little.
Kyle MacKinnel
Over twenty tracks exceeding an hour, the album is a proper evolution of last year’s “Xen,” down to its waxen demonic artwork.
Following two albums of delightfully kaleidoscopic, woozy indie-pop, Youth Lagoon’s Trevor Powers casts some Boise daylight on what has been a pointedly inward operation up to the present.
The illusion of looseness is present in Vile’s nearly slurred phrasing, although the precision of his finger-picking and attention to production value suggests he is nothing if not fully aware of where he is going.
FLOOD 2 cover stars Big Boi and Phantogram talk about the making of their self-titled EP.
A portrait of the Beach Boys leader and Kennedy Center honoree on the occasion of Love & Mercy.
Kozelek is a very talented guitarist and an inspired lyricist, not to mention impressively candid.
Katie Crutchfield takes us through the tracks on her new record, and Merge debut, “Ivy Tripp”; plus, revisiting past relationships, the inspiration of Nicki Minaj, and the sublimity of her surroundings.
Though a front-loaded statement, “Nightmare” suggests that maybe, in addition to figuring himself out, Woodhead is discovering something essential for the rest of us, too.
Though a musical lifer, “Teaspoon To The Ocean” marks Jib Kidder’s first release on the currently vibrant scene of Weird World.
Now, with a title already alluding to the resolution of a sequence, Panda Bear Meets The Grim Reaper’s deeper and increasingly fluid explorations into the vernacular of electronic music have somewhat paradoxically surfaced a tether to the monastic origins of Lennox’s singular vocal style.
The future within (and without) the prognosticatory, labrythine musician in five questions.
What has instead materialized is a batshit Ariel Pink “solo” double album, pom pom, paradoxically culled from the most collaborative recording process of his career.
In addition to writing and directing many iconic films including Dark Star (1974), Halloween (1978), Escape From New York (1981), and The Thing (1982), modern renaissance man…
Last night, Devonté Hynes and lover/collaborator Samantha Urbani took Jimmy Kimmel Live by storm with a refreshingly atypical late night…
After portraying a giant desert Queen and somehow managing to make Google Glass seem attractive, Tahliah Barnett (aka FKA twigs) returns with her next…
Still on the tail end of Tied to a Star, J Mascis‘s second recent solo acoustic record, the folk-via-sludge guitar wizard…
In a glorious turn of events, Ariel Pink has taken his talents to the school auditorium of New York City’s P.S….
Twenty-year-old NYC neo-crooner Elliot Moss has released a Hippie Sabotage remix of his single, “Slip,” the original version of which was released on Moss’s…
Sleater-Kinney is finally good and unrested. Carrie Brownstein, Corin Tucker, and Janet Weiss have announced No Cities To Love, their…
Since its Berlin inception in 1998, Red Bull Music Academy has established itself as a sort of globetrotting hotbed for the…