Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Cult of Luna, In the Shadow of Your Shadow
The Swedish post-metal pioneers’ intense 10th full-length is among their darkest, hardest-hitting statements as it searches this scorched earth for shafts of rapturous light.
Sufjan Stevens, Worst Christmas Ever!
The Christmas album format finds vindication as the songwriter distills timeless compositions into a primer that cares about reverence and reflection as much as bombastic experimentation.
Katie Dey, Universal Will
Trading her typical hyperpop textures for heavy rock notes, the Australian pop experimentalist focuses her sights on the rise of technofascism in the wake of an online coming-of-age.
Lydia Pudzianowski
With darkness encircling the nation, what better time to get lost in our southernmost major city?
If it feels like you’ve heard the lyrics on “Slugger” somewhere before, it’s probably because you’re a woman and you’ve thought them all.
The LA duo and comedian Liza Treyger talk crocheting caps for the Red Hot Chili Peppers and taking babies on tour.
shovels-and-rope-2016-cred_curtis-wayne-millard
For the married duo behind the Charleston, South Carolina, Americana act, there is no line between music and life.
These dudes could blow smoke right in your face, and you’d just have to sit there, groovin’ on it.
The mysterious Aussie singer-songwriter channels Suicide, Nick Cave, and David Lynch on Secretly Canadian’s re-release of his 2014 debut.
Happy Diving “Electric Soul Unity”
Oakland unity metal with a splash of sunshine.
The only Brooklyn post-punk quartet with a yakety sax and a devotion to Japanese disco are ready to offer you a dose of “Convenience.”
photo by Catie Laffoon
With a strong debut EP to their name, the LA trio MUNA are ready to get serious.
This ain’t no recap, it’s a reenactment.
2016. iji Bubble cover
It’s got no place else to be, and it’s happy to be here.
Insane Clown Posse / photo courtesy of Psychopathic Records
In his new book “Juggalo,” Steve Miller grapples with what it means to be a fan of the most hated band in the world.
Lucy Dacus “No Burden”
No Burden is what would happen if your quietest, most thoughtful friend from college ran her journal through an electric guitar and a distortion pedal.
Given who’s involved here, there was no doubting that “case/lang/veirs” would be powerful. The only question is how they’d choose to use their power.
Xenia Rubinos // “Black Terry Cat” cover
There are hints of Judy Garland and Billie Holiday and Erykah Badu, but Xenia Rubinos has created something all her own with her second album.
2016. Whitney Light Upon the Lake hi-res
“Light Upon the Lake” is, understandably, an album about breakups and the many forms they take.
Kristin Kontrol / X-Communicate cover
Like Robyn’s “Body Talk,” the solo debut from the erstwhile Dum Dum Girl is packed full of dreamy synth-pop that’s far from shallow.
The Chicago quintet may want you, but they don’t need you.
The LA-based illustrator turned heads last summer when he reimagined the outcome of a shocking incident of police brutality. With his debut book of illustrations, “B.R.U.H.,” he’s taking things even further.
Rolling Blackouts Coastal Fever / photo by Jamieson Moore
The Aussie jangle-punk quintet harness the daylight on their just-released mini-LP “Talk Tight.”
