Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
@, Autosmile
The experimental duo coil psychedelic-folk introspection around prog-rock guitar flourishes across the dramatically pivoting tracklist of their acoustically oriented debut for 4AD.
Rachel Chinouriri, I Think I Spoke Too Soon
On her second album, the English artist pivots to clubbier sounds that both satisfy and sting as she suppresses loneliness with a fake smile and a polished dance-pop sheen.
Fontaines D.C., Dopamine Chamber
Opting for a synthetic architecture over the driving guitar language of earlier records, the Dublin band shatters their sonic frontier to reveal a grim catechism for hyper-processed hedonism.
Margaret Farrell
Photo credit: Justin Brown
The Internet songwriter shares her first solo single since 2017’s “Fin.”
Stevens earned an Oscar nom for his music featured in Guadagnino’s “Call Me By Your Name.”
The lead single from the ex-HOLYCHILD songwriter’s debut EP arrives with an open letter from Elizabeth Nistico to herself.
It’s the group’s latest single following 2019’s Stuffed & Ready.
Today is Wednesday, but it marks the tenth anniversary of the viral video.
The eight-episode series airs March 26 via the National Geographic Channel.
The track originally appeared on Garzón-Montano’s 2020 album “Agüita.”
The track arrives ahead of their forthcoming album “Constellations,” out March 26.
The SBLV halftime show was an eerie representation of isolation and denial of death.
It’s the latest single from Portugal-based musician Guilherme Correia.
Featuring never-before-seen content, the “virtual time capsule” premieres tonight on YouTube.
The remix follows the trio’s quarantine-recorded “Remote” EP.
The track is featured in the Shaka King–directed film “Judas and the Black Messiah.”
“FLOWERS for VASES / descansos” is out at midnight.
“Pain Is Beauty,” indeed.
The supergroup, including Phoebe Bridgers and Lucy Dacus, jumped on the track off Baker’s forthcoming album “Little Oblivions.”
Younge releases the title track of his forthcoming album and announces a multimedia project.
Alicia Bognanno covers “Dry” from Harvey’s 1993 album “Rid Of Me.”
How everyone from Phoebe Bridgers and Soccer Mommy to Lady Gaga and Taylor Swift found escape from this hell year in fantasy.
Jordana Nye continues to experiment with crunching rock, hip-hop, and jazz into enticing three-minute morsels.
