Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Bleachers, Everyone for Ten Minutes
The bigness that Jack Antonoff holds on his band’s latest album is dedicated to the human spirit and the hope of something better—and rockier—for our future.
Lowertown, Ugly Duckling Union
The NYC duo return to their DIY roots on their creatively unbridled second LP, turning a highly unusual concept into something rather heartfelt and wonkily majestic.
Hammock, The Second Coming Was a Moonrise
The Nashville veterans blend the understated melancholia of dream pop with the more dramatic scale of post-rock on their latest album with a nice push-and-pull effect.
Margaret Farrell
The news arrives on the heels of “New York Times Presents: Framing Britney Spears.”
Yung Yemi
This is the Toronto rapper’s second single of 2021.
Following last year’s “Jaguar” LP, she takes us to the wild wild west.
Photo credit: Justin Brown
The Internet songwriter shares her first solo single since 2017’s “Fin.”
Stevens earned an Oscar nom for his music featured in Guadagnino’s “Call Me By Your Name.”
The lead single from the ex-HOLYCHILD songwriter’s debut EP arrives with an open letter from Elizabeth Nistico to herself.
It’s the group’s latest single following 2019’s Stuffed & Ready.
Today is Wednesday, but it marks the tenth anniversary of the viral video.
The eight-episode series airs March 26 via the National Geographic Channel.
The track originally appeared on Garzón-Montano’s 2020 album “Agüita.”
The track arrives ahead of their forthcoming album “Constellations,” out March 26.
The SBLV halftime show was an eerie representation of isolation and denial of death.
It’s the latest single from Portugal-based musician Guilherme Correia.
Featuring never-before-seen content, the “virtual time capsule” premieres tonight on YouTube.
The remix follows the trio’s quarantine-recorded “Remote” EP.
The track is featured in the Shaka King–directed film “Judas and the Black Messiah.”
“FLOWERS for VASES / descansos” is out at midnight.
“Pain Is Beauty,” indeed.
The supergroup, including Phoebe Bridgers and Lucy Dacus, jumped on the track off Baker’s forthcoming album “Little Oblivions.”
Younge releases the title track of his forthcoming album and announces a multimedia project.
