Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kelsey Lu, So Help Me God
On their second LP, Lu taps Jack Antonoff and Yves Rothman to co-produce a fascinating tapestry of pop, R&B, electronica, classical, folk, and everything avant-garde in between.
Genghis Tron, Signal Fire
The cacophony of ideas on display on the transhumanist metal band’s dystopian fourth album reflects the relentless, manic digi-present we find ourselves in today.
Vince Staples, Cry Baby
On his first release away from Def Jam, the emcee spends more time looking outward than inward, peering into a communal politic with more rock to his roll than ever before.
Mike LeSuer
Magdalena Bay, MUNA, Ethel Cain, Tinashe, Suki Waterhouse, and Wolf Alice will also perform at the late-September event.
The dance-punk track arrives ahead of the Montreal band’s second album Bingo!, which is set for a June 12 release via Bella Union and Mothland.
Bret Kaser shares how compressed audio files and fundamentals-oriented power forwards helped shape his vision for the band’s chaotic new album.
The Life Aquatic composer Mark Mothersbaugh and co-star Jeff Goldblum will also perform at the celebrations on July 10 – 12 in LA.
The Last Dinner Party and Grace Ives are also among the slate of openers for the tour kicking off in September and running through May 2027.
“Babygirl” lands ahead of the artist’s latest project, which drops May 21.
The Boston-based alt-rockers will release their Dan Auerbach–produced debut album Elephant in the Room on June 26 via Easy Eye Sound.
The Canadian shoegazer shares another psychedelic track from their upcoming LP Happy Thought School, which arrives June 19 via Paper Bag Records.
From Annie Ernaux to the “dive bar of air travel” Spirit Airlines, Jasmine Golestaneh shares how her fourth full-length collection of synthpop came together.
Karl Kuehn shares how memories of his late mother and an impressive set of collaborators helped him bring this project to fruition after nearly a decade.
Dominique Gomez shares her band’s origin story ahead of the release of her debut full-length Honky Tonk Queen, out June 26.
With the post-hardcore band recently reissuing their fourth LP for its 10th anniversary, guitarist Nick Steinhardt shares how gardening, collage-making, and more provided a sense of grounding during the record’s making.
One half of Blue Sky Black Death, the producer’s latest solo effort Trapper Keeper drops in full tomorrow.
The emcee/producer duo share how Black Thought, Jean Dawson, Aceyalone, and more laid the groundwork for their fourth collaborative album.
Roger Sellers also shares that his fourth album, Filters, will arrive in September via Nettwerk.
The art-pop duo’s Amanda Kramer–directed feature will premiere at the annual film festival in June.
Adrianne Lenker, Fcukers, and Kamasi Washington—as well as DJ sets from Tinashe and Disclosure—will take over the Arizona desert on the weekend of October 9.
The Wolf Parade co-leader is joined by Elbow Kiss on the latest cut from his solo album Same Fangs, arriving May 15.
The Montreal-based songwriter returns with his second single of the year following February’s “Over/Over.”
Sam Ray and Kitty trade off reference points for their latest LP, including Shellac, Christina Aguilera, and Tom Waits.
