Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
MEMORIALS, All Clouds Bring Not Rain
The genre-hopping fifth LP from Verity Susman and Matthew Simms is more ornate and ambitious than their earlier material, though ultimately the whole is lesser than the sum of the parts.
Filth Is Eternal, Impossible World
Vibrant, dexterous, and unrelentingly compelling, the Seattle hardcore-punks’ fourth album sees them mature into a band adept at writing songs lasting more than two minutes.
Arlo Parks, Ambiguous Desire
Vulnerability is baked into the heartbeat of the British songwriter’s third album with an aching groove lifted to new levels courtesy of the ecstasy of dance music.
Mike LeSuer
The experimental pop opus “Eau de Bonjourno” arrives this Friday via Telephone Explosion.
The Miami group shares another single from their debut EP “As Sweet as I Was,” which drops next Friday.
Stevie Knipe lists a dozen tracks that helped shape their latest LP, which drops this Friday on Epitaph.
The month’s most discourse-worthy singles, according to our Senior Editor.
Adam Wiltzie provides a necessary field guide for the stage production soundtrack’s experimental orchestral drone.
With the film trilogy’s 20th anniversary creeping up, here’s something new to consider when rewatching it for the dozenth time: It is a movie about childbirth.
The Danish-Chilean composer cites Dean Blunt, Cocteau Twins, and Philip Glass as artists who have helped shape her aesthetic.
The Rhode Island band’s latest will be self-released tomorrow.
She broke the news in a new interview with “I May Destroy You” creator Michaela Coel for The Face.
The title track arrives ahead of Randall Taylor’s latest collection of ambient drone, due out April 2 on The Flenser.
The latest collection of bedroom pop recordings from Aaron Powell arrives April 23 via Orchid Tapes.
Michael Doherty tells us what inspired the group’s Run for Cover debut.
The band formerly known as Shin Guard explain their shift in sound on the project’s four songs.
The song from his forthcoming debut record is “a ballad for people that want to watch it burn.”
“Blah” sets the stage for the jazzy no wave group’s latest LP, out April 23 via Ramp Local.
The duo share the Black History Month anthem from their forthcoming collaboration “Of Process and Progression.”
The Asheville-based songwriter’s new project will drop March 19.
The UK rapper’s origin-story prequel experiments with earnest beauty while still feeling like a prank.
The single will appear on the Kalbells’ sophomore album “Max Heart.”
The “Prisyn” track receives a somnambulistic video from director Bobby Cochran.
