With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Saint Etienne, The Night
Over 30 years after their debut, the Vaseline-lensed electro-pop trio still titillates without any consideration of boundaries as they continue their recent shift toward spectral-sounding gravitas.
Daft Punk, Discovery [Interstella 5555 Edition]
Reissued in honor of its complementary anime film’s 20th anniversary, the French house duo’s breakout LP feels like a time capsule for a brief period of pre-9/11 optimism.
The Coward Brothers, The Coward Brothers
Inspired by Christopher Guest’s recent radio play reviving Elvis Costello and T Bone Burnett’s 1985 fictional band, this playful debut album proves that this inside joke still has legs.
Nate Rogers
Somebody outbid LeBron, please.
“Life… is a tale / Told by an idiot, full of sound and fury / Signifying nothing.”
As it turns out, though, “You’ve really fucked me” is a phrase that has no borders.
“Natalie Prass” is out now via Spacebomb
“This is not an experiment but our new business with certain calculated risk.”
“The Agent Intellect” is out October 9 via Hardly Art
“The Race for Space” is out now via Test Card Recordings
The hour-long film “Junun” follows Greenwood as he makes an album in India with Shye Ben Tzur, an Israeli composer.
They’ll be reeling in a new album sometime next year.
Their third LP “Love and Death and All The Rest” is out October 16 on Burger Records.
The film has the potential to be this generation’s “Blair Witch Project,” if the hype is true.
A meeting of two glorious hairdos.
Fax machines, lobsters, Sonic Youth, and all the trigger cuts responsible for “The Secret History” of arguably the greatest band of the ’90s.
To wander with them is truly a pleasure, but be aware that occasionally these avenues will lead you straight into the brick.
One might say that if it were…the end of the world…these are the books that he would clutch the closest.
The upcoming album “Paper Mâché Dream Balloon” will be their fourth LP in less than two years.
“This Is Post-Wave” is out on Andrew Savage’s Dull Tools label on August 28.
“W-X” is out November 7 on Castle Face
Nothing feels forced, and that’s likely because there was little to prove on this—a surprise, free album.
It will be his first feature since 2006’s “For Your Consideration.”