With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Interpol, Live at Third Man Records
Recorded direct-to-acetate over the summer at Jack White’s Nashville label HQ, the NYC post-punk institution’s new live LP offers listeners a spot at the barricade.
OCS, Live at Permanent Records
John Dwyer reteams with OG Oh See Brigid Dawson for 70 minutes of messy, bootleg-quality live material mirroring their early lo-fi collaborations.
Kim Deal, Nobody Loves You More
On her solo debut, The Breeders band leader abandons sarcasm and lo-fi aesthetics in favor of florid arrangements that frame a far more sensitive side of the songwriter.
Steve Appleford
In our latest digital cover feature, the songwriter discusses the joys of balancing his “day job” fronting The Strokes with his long-running experimental troupe, who just released their third album Like All Before You.
In our latest digital cover story, Greg Gonzalez discusses his band’s new project X’s, his commitment to aesthetic, and the band’s upcoming arena tour.
Following the release of the Irish rap trio’s debut album Fine Art, and ahead of their forthcoming self-titled biopic, we caught up with emcees Móglaí Bap and Mo Chara to dissect their global takeover.
We went behind the scenes of the opera’s LA premiere at Walt Disney Concert Hall to speak with co-creators Oliver Leith and Matt Copson about their vision for the stage adaptation of Gus Van Sant’s 2005 film loosely based on the days leading up to Kurt Cobain’s suicide in 1994.
Catching up with John Gourley and Zoe Manville at their “Playing for Frances” event over the weekend, a private benefit concert aiming to raise funds and awareness for rare childhood diseases.
We took a walk through LA’s new immersive exhibition of art and culture from 50 years of rap music, which will remain open to the public through March 18.
Founding members Nathan Willett and Matt Maust look back on the two decades of collaboration between their unexpected connection in college and their recent self-titled LP.
The last of three sold-out shows followed the surprising news that the revered LA band was breaking up.
For our latest digital cover story, John Gourley reflects on the emotional six-year journey leading up to his band’s new album, Chris Black Changed My Life.>
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
The Swedish singer performed her first live set in three years, in addition to debuting an installation based on her recent album EYEYE, at the LA art museum.
Amelia Meath and Nick Sanborn take us through the unanticipated journey resulting in their fourth LP, No Rules Sandy.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
The Kentucky-based songwriter discusses rural representation in the South and constructing her sophomore album.
The guitarist-producer branches out with a new solo album paying tribute to the golden era of balada music
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.