With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
METZ, Up on Gravity Hill
The Toronto noise-punks’ fifth LP sees their familiarly angular guitars working through melodies that range from ear-sweetening to atonal, furthering the mystery that is the band METZ.
Drahla, Angeltape
Their sophomore album sees the Leeds-based trio overcoming grief over instrumental flourishes that recall yesteryear while artfully resisting the lure of entering a time machine.
Chanel Beads, Your Day Will Come
Shane Lavers captures the awe and unease of humanity’s impermanence on his debut album of dissociative dream pop.
Steve Appleford
We went behind the scenes of the opera’s LA premiere at Walt Disney Concert Hall to speak with co-creators Oliver Leith and Matt Copson about their vision for the stage adaptation of Gus Van Sant’s 2005 film loosely based on the days leading up to Kurt Cobain’s suicide in 1994.
Catching up with John Gourley and Zoe Manville at their “Playing for Frances” event over the weekend, a private benefit concert aiming to raise funds and awareness for rare childhood diseases.
We took a walk through LA’s new immersive exhibition of art and culture from 50 years of rap music, which will remain open to the public through March 18.
Founding members Nathan Willett and Matt Maust look back on the two decades of collaboration between their unexpected connection in college and their recent self-titled LP.
The last of three sold-out shows followed the surprising news that the revered LA band was breaking up.
For our latest digital cover story, John Gourley reflects on the emotional six-year journey leading up to his band’s new album, Chris Black Changed My Life.>
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
The Swedish singer performed her first live set in three years, in addition to debuting an installation based on her recent album EYEYE, at the LA art museum.
Amelia Meath and Nick Sanborn take us through the unanticipated journey resulting in their fourth LP, No Rules Sandy.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
The Kentucky-based songwriter discusses rural representation in the South and constructing her sophomore album.
The guitarist-producer branches out with a new solo album paying tribute to the golden era of balada music
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.
We caught up with the future-looking songwriter and David Lynch collaborator on the heels of her new album Midnight Star.
In this series for FLOOD 12: The Los Angeles Issue, artists walk us through their ideal day in the city they call home.