FLOOD

On her first album in a decade, Mitchell lets the delights of vocal harmony and opulent melody with a raw, silken edge shine through.

Mark Oliver Everett is, as always, glad to be unhappy with this spare and soul-strewn 14th LP.

These two volumes of early-’70s gospel recordings capture a moment that was fresh and funky for young churchgoing crowds in the South.

Listening in on the pair who’ve made the freakiest soundtrack on television with ’90s indie-rock touches.

The late, legendary stand-up comic and actor with a flair for all things blue, had a thing for music.

So much of the record is of a sneery, stabby nature and blunter than Costello’s more sophisticated recent songcraft.

10 LP packages that kept our eyes and ears busy over the past year.

Bored Ape Yacht Club #9797—a.k.a. Jimbo—on becoming the first NFT to make and release its own music video with the electro-shock-trap-hop of “Delist your ape (2DaMoon).”

The Brooklyn collective have never sounded more sure-footed and effortlessly melodic than they do with this gathering of friends.

Both recent live albums see the songwriter reinventing his and others’ songs with care, invention, and consideration.

Kim Gordon and Bill Nace continue along their improvised music path with the help of fellow avant-garde journeyperson Aaron Dilloway.

Bowie collaborator Mark Plati details the new box set “Brilliant Adventure,” which includes the long-lost LP “Toy” recorded in 2000 among other curios from the preceding decade.

On the pair’s first full-album collaboration, spaced-out ambience and abstract linguistics come together for something unique, brutal, and beautiful.

With Adele contributing “30” to the canon, here are a dozen other albums that poetically and coarsely tackle legal uncoupling.

Both new releases happily and uniquely go further into defining the myth and the magic of Brian Wilson.

28 new releases we’re excited for during this year’s post-Thanksgiving RSD Drop in November.

The Depeche Mode frontman talks developing his skills as a songwriter both with his band and on his new collection of covers with Soulsavers.

For its 40th anniversary, the Stones’ loose and louche 1981 LP gets a sweet, era-appropriate polish job.

The band’s fourth album is full of hooks, shifting moods, and cushiony tunes without dismissing speed or ferocity.

The latest from the Canadian emcee finds itself often humorously in a place of connecting the disparate dots of being Black.