Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Alex Cameron, Late to Set
The Australian artist’s fifth album houses some of his most brooding songs to date, a mood that strangely sharpens his songwriting without sacrificing his melodic sensibility.
Rome Streetz, Sock It 2 My Pocket
Over a rich tapestry of East Coast production styles, the Queens-reared emcee’s latest thrives in the space between Griselda-era boom-bap and the grimey hue of ’90s NYC drum loops.
Steve Lacy, Oh Yeah?
With a warmer, looser take on anthemic soul-pop, the guitarist and songwriter’s third solo effort sees him move way beyond the reach of The Internet.
Mike LeSuer
It’s the title track from the dreamy electropop duo’s second album, arriving July 31 via Born Losers.
Erin Hoagg’s second LP Attention is set to drop at the end of May.
Molly Hamilton and Robert Earl Thomas will share their seventh album Roses on June 5 via Captured Tracks.
The cultish UK art-rockers share how they got into Fugazi, Talk Talk, Van Morrison, and more during the 15-year gap between their two records.
The new track—created with his sons’ band Very Nice Person—lands after last night’s performance at LA’s Plaza Nightclub.
The Brooklyn quintet will return in August with their Alex Farrar–produced second album Rhinestone Cowgirl.
The songwriter discusses the orchestral flourishes and harrowing personal and political experiences behind his latest solo record, Songs You’ll Never Hear.
Magdalena Bay, MUNA, Ethel Cain, Tinashe, Suki Waterhouse, and Wolf Alice will also perform at the late-September event.
The dance-punk track arrives ahead of the Montreal band’s second album Bingo!, which is set for a June 12 release via Bella Union and Mothland.
Bret Kaser shares how compressed audio files and fundamentals-oriented power forwards helped shape his vision for the band’s chaotic new album.
The Life Aquatic composer Mark Mothersbaugh and co-star Jeff Goldblum will also perform at the celebrations on July 10 – 12 in LA.
The Last Dinner Party and Grace Ives are also among the slate of openers for the tour kicking off in September and running through May 2027.
“Babygirl” lands ahead of the artist’s latest project, which drops May 21.
The Boston-based alt-rockers will release their Dan Auerbach–produced debut album Elephant in the Room on June 26 via Easy Eye Sound.
The Canadian shoegazer shares another psychedelic track from their upcoming LP Happy Thought School, which arrives June 19 via Paper Bag Records.
From Annie Ernaux to the “dive bar of air travel” Spirit Airlines, Jasmine Golestaneh shares how her fourth full-length collection of synthpop came together.
Karl Kuehn shares how memories of his late mother and an impressive set of collaborators helped him bring this project to fruition after nearly a decade.
Dominique Gomez shares her band’s origin story ahead of the release of her debut full-length Honky Tonk Queen, out June 26.
With the post-hardcore band recently reissuing their fourth LP for its 10th anniversary, guitarist Nick Steinhardt shares how gardening, collage-making, and more provided a sense of grounding during the record’s making.
One half of Blue Sky Black Death, the producer’s latest solo effort Trapper Keeper drops in full tomorrow.
