With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Bruce Springsteen, Tracks II: The Lost Albums
This new box breaks down seven well-framed sets of sessions spanning 1983 to 2018, essentially designed as full-album capsules of mood previously deemed unfit for canonization.

Gelli Haha, Switcheroo
The songwriter’s debut is carefree, sleazy, fundamentally arresting dance music—a multi-sensory circus serving to wallpaper the halls of dance-pop history with neon, acid-tinged nonsense.

Wavves, Spun
The LA band’s eighth LP eschews distortion in favor of a cleaner pop-punk sound that both spotlights Nathan Williams’ songwriting chops and dulls the project’s compelling eccentricities.
Mike LeSuer

With a street date of October 4, the Detroit rapper’s long-awaited fifth album features verses from Run the Jewels, Blood Orange, JPEGMAFIA, and more.

Part two of Fucked Up guitarist Ben Cook’s solo project drops October 25 via Run for Cover.

The goth-folk track is the latest single from “Birth of Violence,” out next Friday via Sargent House.

The “On Cinema at the Cinema” universe expands with a feature-length studio film coming in October.

Bethlehem Steel, May 2019
The video for the band’s latest single is full of choreographed dance moves and internal bleeding.

Our Associate Editor’s favorite pre-released singles, album deep cuts, and tracks by unfairly obscure artists from the past few weeks.

To accompany their debut LP “When the Tree Bears Fruit,” the Australian garage rockers serve up more songs about fruit.

Jawbreaker at Riot Fest / photo by Brigid Gallagher
Time slots for Blink-182, Bikini Kill, Wu-Tang Clan, and more announced (also, according to Goose Island Brewing, Riot Fest Sucks).

The second single from Robert Alfons’ second album in the “Destroyer” series takes the project in a somber direction.

According to Jeff Tweedy, Kari Faux, James Blake, and more, “All My Heroes Are Cornballs” will let us down September 13.

The versatile rapper looks fondly upon the past in the clip for the “Sans Soleil” single.

The punk anthem precedes the project’s split with Graduating Life, out September 12 via Pure Noise/Epitaph.

The slowcore project of Montreal songwriter Michael Hansford shares its second single from the forthcoming “Touchstone” LP.

Alongside news of a sophomore album in tow, the Philly songwriter made us a list of ten tracks she considers to be flawless.

Processed with VSCO with e3 preset
The third installment in the band’s recent singles series is a moody plea for escape.

Sam Hall cites (Sandy) Alex G, Katie Dey, and Ricky Eat Acid as favs from the Grand Rapids–based label.

Berdan talks the cult Wes Craven film, cultural isolation, and his band’s latest collaboration with The Body.

There’s a new Peggy track called “Jesus Forgive Me, I Am a Thot,” and it hardly breaks the top ten.

HEALTH / photo by Andy Sawyer
With Show Me the Body rounding out the bill, you’re gonna be susceptible to conversion this December.

Caroline White lists three albums she’s proud to share a label with.