Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Julianna Barwick & Mary Lattimore, Tragic Magic
Pairing early modern harp and vintage analog synths, the duo cope with disaster by forging soothing atmospheric compositions fueled by their unique creative connection.
Westside Cowboy, So Much Country ’Till We Get There
The buzzy Manchester group’s new EP doubles down on affability with five tracks of straightforward indie rock coursing with charm and easy-going, edgeless quirks.
Xiu Xiu, Xiu Mutha Fuckin’ Xiu: Vol. 1
These covers capture the broad spectrum of artists who’ve inspired Jamie Stewart over the past 24 years—and prove that Xiu Xiu is able to even make Robyn sound unwaveringly dark.
Mike LeSuer
Jasamine White-Gluz details the various directions she took her fourth album in.
The Baltimore emcee’s new single hits streaming services tomorrow.
Phoenix / photo by Daniel Cavazos
How much should we read into the burning Phoenix tee in the song’s visualizer?
The clip arrives with a playlist curated by the Sacramento-based songwriter celebrating sacred spaces.
Eva Moolchan shares eleven tracks she’s had on repeat leading up to the release of “Happy Birthday.”
The Minneapolis punk trio’s “I’m Glad We’re Friends” will be out via Count Your Lucky Stars.
The self-described “loser rock” band also reveal a new visual for “Selfish.”
Isabel Olive pairs her recent single “Afraid of Horses” with eleven more equine-themed tracks.
It’s the first of two EPs the Haitian-American emcee has promised to release this summer.
The MN punks’ debut full-length dropped last week via Forged Artifacts.
With no new music from TV on the Radio since 2014, it’s time to get familiar with the vocalist’s film and TV work.
Amélie Rousseaux celebrates one year of “Waves” with an experimental new take on the single.
Kenney performs the single from her newly released album “Sucker’s Lunch” in Oakland.
The debut single from the LA-based songwriter arrives with a goofy—if not relatable—visual.
Michael Hansford’s latest single—written immediately post-“Touchstone”—will be his last for some time.
The record is officially out tomorrow via Mama Bird Recording Co.
It’s the Brooklyn band’s second album, out soon via Good Eye Records.
Morimoto will set the stream live on his YouTube channel at 6 p.m. PST tonight.
James Wallace’s new record “The World Only Ends When You Die” drops October 23.
Jessica Dobson shares a self-animated lyric video for the single (which also includes guitar tabs).
