With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Saint Etienne, The Night
Over 30 years after their debut, the Vaseline-lensed electro-pop trio still titillates without any consideration of boundaries as they continue their recent shift toward spectral-sounding gravitas.
Daft Punk, Discovery [Interstella 5555 Edition]
Reissued in honor of its complementary anime film’s 20th anniversary, the French house duo’s breakout LP feels like a time capsule for a brief period of pre-9/11 optimism.
The Coward Brothers, The Coward Brothers
Inspired by Christopher Guest’s recent radio play reviving Elvis Costello and T Bone Burnett’s 1985 fictional band, this playful debut album proves that this inside joke still has legs.
Mischa Pearlman
More than twenty years after a bitter dissolution, the modern punk legends have rejoined. Here, members of the Jawbreaker scene and story recount the saga and impact of one of the heaviest—and most literary—bands ever.
Shakey’s response to Trump is one that the USA desperately needs.
“Soul of a Woman” is full of light and hope, serving as a testament to the beauty of life—and love and friendship and all that good stuff we get to experience in our short time on this planet.
The Montreal quartet are back with a truly triumphant return.
The Spanish artist known for his deranged—but brightly colored!—comics talks police brutality, Facebook, and traveling in the US.
Class warfare, civil rights, Donald Trump: That’s not the whole story.
An exhilarating journey into one of contemporary music’s most inventive and eccentric bands.
While “Trouble Maker” is far from a political record, its songs certainly exist within the fragile framework of America in 2017.
Comprising eleven downtrodden, sunken-hearted, minor-chord songs, Big Thief’s sophomore album traverses the dark side of humanity, but pairs the despair with a ragged beauty.
A more than welcome addition to—and expansion of—the Hold Steady frontman’s catalog.
Everything Sleaford Mods say in these twelve songs is thoroughly valid and, frankly, needs to be said.
It’s not the second coming of “The Sophtware Slump.” But it also isn’t trying to be.
Singing the praises of the undersung singer-songwriter.
On his solo debut, the Ought frontman embarks on his own personal exploration of sounds and genres, ideas and influences.
The LA native’s debut is an escape route from Trump’s America into an alternative and rose-tinted reality.
The four members of The Menzingers have all hit their thirties. “After the Party” confronts that reality and all the realizations that come along with it.
The Arrival composer gives voice to an unlikely subject: himself.
Beyond the big hits, R.E.M.’s seventh album is a record full of nuances, a record that matched the quantity of units sold with the quality of its songwriting.
Natalie Mering’s newest release straddles the world we inhabit and the marvels we imagine beyond it.
Darkness and light battle it out in M.C. Taylor’s latest.