With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Devendra Banhart, Cripple Crow [20th Anniversary Deluxe Edition]
Further extending the LP’s dimensions, this reissue adds a third disc of outtakes, B-sides, and demos that only serve to fortify the project’s sonic asymmetry and emotional, quixotic lyricism.

Die Spitz, Something to Consume
With their Will Yip–produced debut, the Austin punk quartet has something to say about postmodern society in 11 metal-fusion tracks ripe with political turmoil and skatepark angst.

Shame, Cutthroat
The UK rockers don’t mince words on their fourth studio album, pairing their infectious proto-punk grooves with nakedly hedonistic lyrics.
Mischa Pearlman

Jawbreaker at Riot Fest / photo by Brigid Gallagher
More than twenty years after a bitter dissolution, the modern punk legends have rejoined. Here, members of the Jawbreaker scene and story recount the saga and impact of one of the heaviest—and most literary—bands ever.

Shakey’s response to Trump is one that the USA desperately needs.

“Soul of a Woman” is full of light and hope, serving as a testament to the beauty of life—and love and friendship and all that good stuff we get to experience in our short time on this planet.

The Montreal quartet are back with a truly triumphant return.

The Spanish artist known for his deranged—but brightly colored!—comics talks police brutality, Facebook, and traveling in the US.

photo by Joe Dilworth
Class warfare, civil rights, Donald Trump: That’s not the whole story.

An exhilarating journey into one of contemporary music’s most inventive and eccentric bands.

While “Trouble Maker” is far from a political record, its songs certainly exist within the fragile framework of America in 2017.

Comprising eleven downtrodden, sunken-hearted, minor-chord songs, Big Thief’s sophomore album traverses the dark side of humanity, but pairs the despair with a ragged beauty.

A more than welcome addition to—and expansion of—the Hold Steady frontman’s catalog.

Everything Sleaford Mods say in these twelve songs is thoroughly valid and, frankly, needs to be said.

It’s not the second coming of “The Sophtware Slump.” But it also isn’t trying to be.

Singing the praises of the undersung singer-songwriter.

On his solo debut, the Ought frontman embarks on his own personal exploration of sounds and genres, ideas and influences.

The LA native’s debut is an escape route from Trump’s America into an alternative and rose-tinted reality.

The four members of The Menzingers have all hit their thirties. “After the Party” confronts that reality and all the realizations that come along with it.

The Arrival composer gives voice to an unlikely subject: himself.

Beyond the big hits, R.E.M.’s seventh album is a record full of nuances, a record that matched the quantity of units sold with the quality of its songwriting.

Natalie Mering’s newest release straddles the world we inhabit and the marvels we imagine beyond it.

Darkness and light battle it out in M.C. Taylor’s latest.