Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
A.D. Amorosi
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Reviews
Richard Hell and the Voidoids, “Destiny Street Complete”
These demos and fuller, remixed recordings show off more of the Albert-Ayler-meets-Iggy-Pop thing that Hell and his band probably intended.
January 25, 2021
Reviews
Iggy and The Stooges, “You Think You’re Bad, Man: Road Tapes ’73-’74” + “From K.O. to Chaos”
Iggy Pop’s last gasp with the original Stooges is hyper-energized and essential listening alongside the official canon.
January 19, 2021
In Memoriam
Jet Boy Gone: Remembering New York Dolls’ Sylvain Sylvain
The glam-punk guitarist has passed away at the age of 69 after a two-year battle with cancer.
January 15, 2021
Film & TV
In Conversation: M. Night Shyamalan on “Servant,” “Old,” and Adapting to Change
The Apple TV+ series and forthcoming feature prove that the director/writer still has many scary tricks up his sleeve.
January 12, 2021
A colour-enhanced image of English singer and musician David Bowie, exaggerating his heterochromia iridis, 1973. This photo was taken in Paris during a photoshoot for Bowie’s ‘Pin Ups’ album.
Five Years, Five Points of Light: Celebrating the Life of David Bowie Half a Decade After Losing Him
Mike Garson, Michael C. Hall, Duran Duran’s Simon Le Bon, and more discuss their multimedia celebrations of Bowie on what would have been his 74th birthday.
January 08, 2021
Staff Picks
The Best Reissues and Box Sets of 2020
12 records we were pleased to see renewed and revamped.
December 21, 2020
Reviews
The Kinks, “Lola Versus Powerman and the Moneygoground, Part One” [Deluxe Reissue]
If anything was an enabler of glam pop, it was “Lola.”
December 17, 2020
Reviews
JPEGMAFIA, “EP!”
JPEGMAFIA keeps it mean while on the major label tip.
December 14, 2020
Reviews
Chris Cornell, “No One Sings Like You Anymore”
The Cornell estate gifts us with 10 subtle covers focused on melodic gems with a soft ensemble as backing.
December 11, 2020
In Conversation
In Conversation: Julien Temple on Working with Shane MacGowan on His New Pogues Doc “Crock of Gold”
The filmmaker talks profiling MacGowan, Johnny Depp’s role in the project, and peroxide-haired ’80s punk.
December 11, 2020
Reviews
Cabaret Voltaire, “Shadow of Fear”
By his lonesome, Richard H. Kirk is still making endearingly intrusive electronic noise with nagging catchiness in its subtle hooks
December 03, 2020
In Conversation
In Conversation: Maynard James Keenan’s Existential Dilemma with Puscifer
The Tool and A Perfect Circle frontman and bandmate Carina Round talk the band’s latest record, “Existential Reckoning.”
December 01, 2020
FLOOD’s Guide to Record Store Day Black Friday: John Prine, Pop Smoke, My Chemical Romance, and More
What we’re excited for on the last weekend of RSD’s pandemic-necessitated four-part event.
November 25, 2020
Jarvis Cocker, at his home in the Peak District, UK. June 17, 2020.
Tom Jamieson for The New York Times
In Conversation
In Conversation: Jarvis Cocker Takes Us to the Roots of His Work as JARV IS…
In support of his new concert film, Cocker recalls his slow adaptation to live performance and explains his unexpected obsession with caves.
November 24, 2020
Reviews
Elton John, “Jewel Box”
No one’s excesses are as glorious and ornate as Elton John’s.
November 23, 2020
Reviews
Nick Cave, “Idiot Prayer: Nick Cave Alone at Alexandra Palace”
This recording of Cave’s tearful solo performance offers warmth, elegance, and smart solace.
November 19, 2020
Reviews
Elvis Costello, “Armed Forces: Super Deluxe Edition”
The reissue of Costellos’ maximal-overdrive third LP manages to sound crisper than its original recording.
November 16, 2020
Reviews
King Khan, “The Infinite Ones”
Khan’s jazz album is a logical continuation of the merry-making avant-garde that defines every other KK record.
November 12, 2020
Reviews
The Mountain Goats, “Getting Into Knives”
“Knives” is the sound of a pre-pandemic band going for all the weird gusto they can.
October 30, 2020
Ghetto Kumbé on Embracing Cumbia, Indigenous Communities, and a Politics of Forgiveness
The incendiary music-making trio from Colombia’s Caribbean coast fuse Afro-house and Indigenous rhythms with a frank, humanist political stance.
October 29, 2020
