Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Maya Hawke, Maitreya Corso
The actress and songwriter’s barely older, mostly wiser, and more wearily symbolic follow-up to 2024’s Chaos Angel sketches her commitments to love beyond the boundaries of her usual big ideas.
American Football, American Football (LP4)
Further expanding the majesty and swell of their sound, the Midwest emo icons’ widescreen fourth LP flows with darkness, morbidity, emotional distress, and a newfound sense of hope.
Failure, Location Lost
The spacey grunge trio’s fourth post-reunion LP avoids trends in favor of songs that penetrate the heart—it’s as if they’ve finally found the magic they’ve had in themselves from the start.
A.D. Amorosi
Tony Di Blasi and Robbie Chater talk collaboration, efficient songwriting, and David Berman following the release of their third LP.
This rare solo release from the Depeche Mode songwriter is memorably haunting.
The write raw-boned, ruined country anthems of “Strawberry Mansion” make it a neighborhood worth visiting.
These demos and fuller, remixed recordings show off more of the Albert-Ayler-meets-Iggy-Pop thing that Hell and his band probably intended.
Iggy Pop’s last gasp with the original Stooges is hyper-energized and essential listening alongside the official canon.
The glam-punk guitarist has passed away at the age of 69 after a two-year battle with cancer.
The Apple TV+ series and forthcoming feature prove that the director/writer still has many scary tricks up his sleeve.
A colour-enhanced image of English singer and musician David Bowie, exaggerating his heterochromia iridis, 1973. This photo was taken in Paris during a photoshoot for Bowie’s ‘Pin Ups’ album.
Mike Garson, Michael C. Hall, Duran Duran’s Simon Le Bon, and more discuss their multimedia celebrations of Bowie on what would have been his 74th birthday.
12 records we were pleased to see renewed and revamped.
If anything was an enabler of glam pop, it was “Lola.”
JPEGMAFIA keeps it mean while on the major label tip.
The Cornell estate gifts us with 10 subtle covers focused on melodic gems with a soft ensemble as backing.
The filmmaker talks profiling MacGowan, Johnny Depp’s role in the project, and peroxide-haired ’80s punk.
By his lonesome, Richard H. Kirk is still making endearingly intrusive electronic noise with nagging catchiness in its subtle hooks
The Tool and A Perfect Circle frontman and bandmate Carina Round talk the band’s latest record, “Existential Reckoning.”
What we’re excited for on the last weekend of RSD’s pandemic-necessitated four-part event.
Jarvis Cocker, at his home in the Peak District, UK. June 17, 2020.
Tom Jamieson for The New York Times
In support of his new concert film, Cocker recalls his slow adaptation to live performance and explains his unexpected obsession with caves.
No one’s excesses are as glorious and ornate as Elton John’s.
This recording of Cave’s tearful solo performance offers warmth, elegance, and smart solace.
The reissue of Costellos’ maximal-overdrive third LP manages to sound crisper than its original recording.
