Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
Flea, Honora
While the Red Hot Chili Peppers bassist’s collaboration-heavy foray into jazz occasionally errs on the side of pensive, it’s never anything less than heartfelt.
Robyn, Sexistential
The Stockholm-based electropop auteur’s ode to motherhood falls right in line with her always-mature, somewhat-confrontational manner of making desire-driven dance pop.
A.D. Amorosi
Gallo’s latest is more softcore, left-field hip-hop and gentle psychedelia than his usual punk/pop vibe.
The pair’s latest is a theatrical, diabolically abstract, and damningly depressive work with a blinding brightness at the end of the tunnel.
Younge’s bold new music/spoken word LP is his most stirring, politicized, and down-to-earth release to date.
Shaka King’s new movie examines the largely untold story of BPP Chairman Fred Hampton, whose assassination was instigated by the FBI.
Banhart walks us through his new exhibit “The Grief I Have Caused You,” which runs through March 20 in LA and virtually.
All the diversity on the oddly alluring neo-psych group’s fourth record doesn’t always make for great intrigue.
These Southern-rubbed and Philly-styled recordings open the vocalist up to a freedom she never experienced before or after.
Hall, Peter Yanowitz, and Matt Katz-Bohen on their new electronic art-rock noise record “Thanks for Coming.”
Between the reissue of his diary and the 2020 releases of his collab with brother Roger Eno and his first collection of film scores, it feels like we’re undergoing another Eno-aissance.
With a recent children’s book, a new single, and an up-coming EP, Raj Haldar proves he’s all in the family.
A deep dive into pop’s rare past with a man who made the journey bold, original, and downright frisky.
Tony Di Blasi and Robbie Chater talk collaboration, efficient songwriting, and David Berman following the release of their third LP.
This rare solo release from the Depeche Mode songwriter is memorably haunting.
The write raw-boned, ruined country anthems of “Strawberry Mansion” make it a neighborhood worth visiting.
These demos and fuller, remixed recordings show off more of the Albert-Ayler-meets-Iggy-Pop thing that Hell and his band probably intended.
Iggy Pop’s last gasp with the original Stooges is hyper-energized and essential listening alongside the official canon.
The glam-punk guitarist has passed away at the age of 69 after a two-year battle with cancer.
The Apple TV+ series and forthcoming feature prove that the director/writer still has many scary tricks up his sleeve.
A colour-enhanced image of English singer and musician David Bowie, exaggerating his heterochromia iridis, 1973. This photo was taken in Paris during a photoshoot for Bowie’s ‘Pin Ups’ album.
Mike Garson, Michael C. Hall, Duran Duran’s Simon Le Bon, and more discuss their multimedia celebrations of Bowie on what would have been his 74th birthday.
12 records we were pleased to see renewed and revamped.
