Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kelsey Lu, So Help Me God
On their second LP, Lu taps Jack Antonoff and Yves Rothman to co-produce a fascinating tapestry of pop, R&B, electronica, classical, folk, and everything avant-garde in between.
Genghis Tron, Signal Fire
The cacophony of ideas on display on the transhumanist metal band’s dystopian fourth album reflects the relentless, manic digi-present we find ourselves in today.
Vince Staples, Cry Baby
On his first release away from Def Jam, the emcee spends more time looking outward than inward, peering into a communal politic with more rock to his roll than ever before.
A.D. Amorosi
The mostly vocal album plucks from all that made the Sonic Youth dynamic so prickly and daring.
The Chilean-French artist moves from the screen and the page to the human body with his new film, “Psychomagic: A Healing Art.”
“New York” gets the deluxe box set treatment this week, while “Drella” gets a Record Store Day release three weeks later, a first on vinyl.
What we’re excited for on the second weekend of RSD’s pandemic-necessitated three-part event.
The composers of Janelle Monáe’s newest film discuss the project, as well as their origins in the Wondaland Arts Society.
The multifaceted songwriter discusses the amorphous “Gen Hoshino genre,” his new American audience, and his contribution to Dua Lipa’s new remix LP.
Neither of these jazz recordings is any less mysterious or magical just because they’re finally available at large.
The reason to invest in Super Deluxe “Soup” is the once-pricey “Brussels Affair” live bootleg.
This lot, quiet or loud, make for an exquisite vision of T. Rex.
The latest from the Lips is a peculiarly placid sound that only this collection of artists seem capable of making.
The Alice Coltrane–gifted pseudonym resurfaced for a third record, released last Friday.
RSD’s pandemic-necessitated three-part event kicks off this weekend—we talked to co-creator Michael Kurtz about what to expect, as well as preview twelve releases we’re excited for.
The record’s touching maturity doesn’t always jive with the wonton ways of its flaming musicality.
Ernest Green discusses his new album “Purple Noon,” the French film that inspired it, and his newfound love for collaboration.
The 1970 set captures the band in full, frenetic death swoon.
Both new projects pull the curtain back on missed moments, eras of Cash once considered minor.
With the new Lightfoot doc premiering today, we revisit a conversation we had with the legendary songwriter earlier this year upon the release of his 21st album.
The co-founder of Talking Heads and Tom Tom Club speaks gleefully in his memoir, out today.
“Beyond the Pale” feels tight, tense, yet free, with pasty Cocker as the broodingly bittersweet centerpiece.
This Nelson isn’t bleak, but he sure comes close to it.
