With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Bruce Springsteen, Tracks II: The Lost Albums
This new box breaks down seven well-framed sets of sessions spanning 1983 to 2018, essentially designed as full-album capsules of mood previously deemed unfit for canonization.

Gelli Haha, Switcheroo
The songwriter’s debut is carefree, sleazy, fundamentally arresting dance music—a multi-sensory circus serving to wallpaper the halls of dance-pop history with neon, acid-tinged nonsense.

Wavves, Spun
The LA band’s eighth LP eschews distortion in favor of a cleaner pop-punk sound that both spotlights Nathan Williams’ songwriting chops and dulls the project’s compelling eccentricities.
A.D. Amorosi

The “Gimme Some Truth” box makes Lennon’s solo output sound better, brighter, and of a piece.

The mostly vocal album plucks from all that made the Sonic Youth dynamic so prickly and daring.

The Chilean-French artist moves from the screen and the page to the human body with his new film, “Psychomagic: A Healing Art.”

“New York” gets the deluxe box set treatment this week, while “Drella” gets a Record Store Day release three weeks later, a first on vinyl.

What we’re excited for on the second weekend of RSD’s pandemic-necessitated three-part event.

The composers of Janelle Monáe’s newest film discuss the project, as well as their origins in the Wondaland Arts Society.

The multifaceted songwriter discusses the amorphous “Gen Hoshino genre,” his new American audience, and his contribution to Dua Lipa’s new remix LP.

Neither of these jazz recordings is any less mysterious or magical just because they’re finally available at large.

The reason to invest in Super Deluxe “Soup” is the once-pricey “Brussels Affair” live bootleg.

This lot, quiet or loud, make for an exquisite vision of T. Rex.

The latest from the Lips is a peculiarly placid sound that only this collection of artists seem capable of making.

The Alice Coltrane–gifted pseudonym resurfaced for a third record, released last Friday.

RSD’s pandemic-necessitated three-part event kicks off this weekend—we talked to co-creator Michael Kurtz about what to expect, as well as preview twelve releases we’re excited for.

The record’s touching maturity doesn’t always jive with the wonton ways of its flaming musicality.

Ernest Green discusses his new album “Purple Noon,” the French film that inspired it, and his newfound love for collaboration.

The 1970 set captures the band in full, frenetic death swoon.

Both new projects pull the curtain back on missed moments, eras of Cash once considered minor.

With the new Lightfoot doc premiering today, we revisit a conversation we had with the legendary songwriter earlier this year upon the release of his 21st album.

The co-founder of Talking Heads and Tom Tom Club speaks gleefully in his memoir, out today.

“Beyond the Pale” feels tight, tense, yet free, with pasty Cocker as the broodingly bittersweet centerpiece.