With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Marissa Nadler, New Radiations
The gothic songwriter’s latest collection of bad-dream vignettes feels like a return to the mold she was cast in as she wrestles with the current state of her country through obscured lyrics.

The Black Keys, No Rain, No Flowers
The blues-rock duo sifts through wreckage in search of meaning and growth on their 13th album only to come up with answers that are every bit as pat and saccharine as the title suggests.

JID, God Does Like Ugly
After 15 years of writing and developing verses, the Dreamville rapper has become a master of the form on his fourth album as he finds resolution and comes to recognize his purpose.
A.D. Amorosi

The late, legendary stand-up comic and actor with a flair for all things blue, had a thing for music.

So much of the record is of a sneery, stabby nature and blunter than Costello’s more sophisticated recent songcraft.

10 LP packages that kept our eyes and ears busy over the past year.

Bored Ape Yacht Club #9797—a.k.a. Jimbo—on becoming the first NFT to make and release its own music video with the electro-shock-trap-hop of “Delist your ape (2DaMoon).”

The Brooklyn collective have never sounded more sure-footed and effortlessly melodic than they do with this gathering of friends.

Both recent live albums see the songwriter reinventing his and others’ songs with care, invention, and consideration.

Kim Gordon and Bill Nace continue along their improvised music path with the help of fellow avant-garde journeyperson Aaron Dilloway.

Bowie collaborator Mark Plati details the new box set “Brilliant Adventure,” which includes the long-lost LP “Toy” recorded in 2000 among other curios from the preceding decade.

On the pair’s first full-album collaboration, spaced-out ambience and abstract linguistics come together for something unique, brutal, and beautiful.

Kacey Musgraves
With Adele contributing “30” to the canon, here are a dozen other albums that poetically and coarsely tackle legal uncoupling.

Both new releases happily and uniquely go further into defining the myth and the magic of Brian Wilson.

28 new releases we’re excited for during this year’s post-Thanksgiving RSD Drop in November.

The Depeche Mode frontman talks developing his skills as a songwriter both with his band and on his new collection of covers with Soulsavers.

For its 40th anniversary, the Stones’ loose and louche 1981 LP gets a sweet, era-appropriate polish job.

The band’s fourth album is full of hooks, shifting moods, and cushiony tunes without dismissing speed or ferocity.

The latest from the Canadian emcee finds itself often humorously in a place of connecting the disparate dots of being Black.

The Philly-based ensemble smooth over their rougher complexities and craft a record that’s oddly happy and broadly familial.

His first album for 4AD welcomes a larger musical ensemble, a livelier palate of sound, and lushly verdant vibes that go beyond.

This 6-CD/LP box—including rarities, live cuts, and alternate mixes—burrows deep and handsomely below the surface.

This soundtrack to PBS’s Big Bend National Park doc provides a chill sonic tonic with nature as its somnolent guide.