FLOOD

“Delirium Tremens,” which dropped last month, is the third in a series of albums that finds Harvey taking on the catalog of the French provocateur.

“IV” serves as the best example yet of the Toronto jazz quartet’s ability to synthesize their disparate influences.

The Kiwi actor/comedian/writer (“Flight of the Conchords”/”What We Do in the Shadows”) ponders the New Zealand film renaissance and the Paranormal.

Ben Bridwell is working from home.

Teaming with Grandaddy leader Jason Lytle, the South Carolina band confidently turns the wheel in another direction with their fifth studio album.

Following breakout remixes and production on material by Mobb Deep, Freddie Gibbs, and Katy B, the Haitian-born DJ seems intent on making multiple statements with his debut LP.

Originally just a kid who liked doodling on notebooks and reading “Thrasher,” the award-winning artist has turned into a force to be reckoned with both inside and out of the skateboarding world—all from Dayton, Ohio.

In light of recent blockbuster records like the expansive “Lemonade” and the constantly shifting “Life of Pablo,” “Views” feels anticlimactic.

With her new electronic pop album, the singer formerly known as Antony Hegarty unpacks the meaning of “HOPELESSNESS.”

The legendary comics artist takes on The Beatles’ “Yellow Submarine,” plus talks the current crop of superhero movies.

Vessels have long served as a reference point in the works of Brian Eno. But on his new ambient album, “The Ship,” he evokes one of the most symbolically loaded boats in history: the “Titanic.”

Bringing together the likes of Phoebe Gloeckner, Lynda Barry, Aline Kominsky-Crumb, and Alison Bechdel, Robbins’ series blazed a trail for female comic artists.

The former Cul de Sac guitarist’s alternately tuned acoustic guitar and banjo tug and pull on the conventions of American Primitivism.

If Iggy’s going anywhere, it won’t be quietly.

What’s this new breeze blowing over North Carolina group Mount Moriah?

The road has long served as a symbol in American roots music, and few have sung about it as distinctly as Lucinda Williams.

The medical-show parody returns to Adult Swim this Friday, January 22.

It’s a loose, effortless-sounding record, but new deluxe box set “The Ties That Bind: The River Collection” attests to the fact that as grand as the album is, its twenty-song track list only came after obsessive pruning and labored deliberation.

The group’s friskiness wasn’t sacrificed for the sake of accessibility. It was enhanced.

You might know him as Andre from “The League”—which ends its seven-season run this week—but Paul Scheer is cooking up many a strange brew.