Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Depeche Mode, Memento Mori: Mexico City
The live album tied to the new-wave icons’ new concert film shows how a lifelong band persists through loss while maturing their dusky music and a deep connection to their audience.
Prince & The Revolution, Around the World in a Day [40th Anniversary Edition]
Besides its crystal-clear sound, the draw for this expanded singles collection is its curios such as the 22-minute “America” and Prince’s serpentine contribution to the We Are the World album.
La Luz, Extra! Extra!
Reworking tracks from 2024’s News of the Universe LP, Shana Cleveland emphasizes themes of change, non-determinism, and acceptance on an EP that aptly feels a little lonely.
Jon Pruett
The latest release from the Numero Group chronicles the pop sounds of the African country of Upper Volta in the ’70s.
The Nashville quartet choogle with the best of ’em.
The Long Island brothers practically have glitter in their blood.
The UK duo’s third album in as many years finds them pushing the boundaries of their sound.
Navel-gazing R&B is in high demand in 2016, but Blanco navigates this world like she’s the first person on Mars.
Ben Sinclair in “High Society” / photo by Craig Blankenhorn
HBO’s new comedy series wandered into pay cable from the dank world of Vimeo.
Partly singing and partly talking, Anika presents an external dialogue of thoughts and dreams.
Everything is aflame on “Operator,” a vigorously aggressive dancefloor party fueled by a jarring punk ethos.
The Avalanches / “Wildflower” cover
How do you follow up a sixteen-year-old plunderphonic pop masterpiece? With a neon-tinted mixtape.
photo courtesy Now-Again Records
Uchenna Ikonne on the little-known Nigerian rock scene of the 1970s.
Top Gunn!
Konono No 1 Meets Batida cover
The Conogolese rhythm aces’ hypnotic swirl of customized kalimbas and booming, trance-inducing percussion gets smoothed over—but only slightly.
On his third album, Morby continues to carve out a rarefied space.
What’s surprising here is not just how well these two acts sound together, but the heretofore-unknown third element that arises when they combine.
2016. Prince Rama Extreme Now cover hi-res
It’s an endless rush of sugar and data.
2016. Chris Forsyth and the Solar Motel Band, The Rarity of Experience cover (1200x)
The band, a riotous mixture of Crazy Horse and The Dream Syndicate, excelled at drawing droning, melodic riffs and elongating them into eight-minute-plus excursions on their debut, and “The Rarity of Experience” dives right back in.
2016. Matmos Ultimate Care II coer hi-res
The guiding question here: how do you make a nearly forty-minute piece of music comprising only the sounds of a Whirlpool Ultimate Care II washing machine?
2016. Lush Chorus cover hi-res
Nothing visionary here, but it’s a pleasant enough musical journey with a serious bummer of an ending—hopefully one vindicated by this reunited victory lap.
2016. Hinds Leave Me Alone cover hi-res
Imagine a world where pop songs are written on an acoustic guitar, amped up with a beater of an electric guitar, and then fashioned together with duct tape.
2015. W-X, “W-X”
“W-X” provides plenty of fodder for hungry minds looking to go deeper into rarefied zones.
