Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Morrissey, Make-Up Is a Lie
It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.
Bill Callahan, My Days of 58
Well-observed, a bit absurd, and wholly singular, this “hobo stew” permits each instrument and each musical idea to embrace Callahan’s discursive lyrical and structural style.
Flying Lotus, Big Mama
A hodgepodge of electronic textures, genres, and styles, the artist’s proper debut for his own Brainfeeder label feels improvisational despite its meticulous craftsmanship.
Margaret Farrell
$7k should honestly only cover damages resulting from those sandwiches.
Following their debut EP “Rearview Angel,” it’s the third single this year from Rachel Stewart’s project.
The Los Angeles duo’s debut project “Boy Anonymous” is out May 14.
“Visions” is the second single from the follow-up to 2015’s “Vestiges and Claws.”
The single celebrating the “burning of the old and the rising of the new” arrives ahead of “Man Made,” out June 4.
20 copies of the reissue will carry 7″x7″ photos of the band signed by James Mercer.
Her third album “Home Video” has been slated for release June 25 via Matador.
The two musicians have collaborated multiple times over the years, including Rocky’s 2018 album “Testing.”
Out via Nice Swan Records, the project features shoutouts to 100 gecs, Kanye West, and Ed Sheeran’s “Shape of You.”
The Ottawa-based musician’s debut EP “Hurt Is Boring” is scheduled for May 14.
The latest track from Brent Faiyaz’s first project with producers Dpat and Atu in over two years.
In collaboration with Gwendolyn Gussman, the single’s video symbolizes a chaotic odyssey toward freedom.
“Jubilee” is out June 4 via Dead Oceans, with a new set of tour dates to follow.
“May the Circle Remain Unbroken” will be a Record Store Day exclusive featuring Jeff Tweedy, Margo Price, Gary Clark Jr., Lucinda Williams, and more.
Along with a track-by-track breakdown, you can stream the Luxembourg-based musician’s EP before it comes out tomorrow.
The Israeli pop artist’s 2nd album is a messy, confrontational, entrancing explosion of socio-political thoughts.
Recorded between 1998 and 1999, “Tallahassee: Archive Series Volume no. 5” is out May 7 via Sub Pop.
It’s the first single from “Crooked Machine,” the reshaping of last year’s “Róisín Machine” by producer Crooked Man.
The London five-piece have made an accompanying music video for each track.
Batmanglij’s sophomore album of the same name is out June 4 via Matsor Projects.
