Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
This Is Lorelei, Holo Boy
Water From Your Eyes’ Nate Amos digs into his back catalog of nearly 70 releases shared over the last 12 years, revealing his humble beginnings and the seeds of last year’s breakout LP.
Pink Floyd, Wish You Were Here 50
This box set repackages the languid yet damaged follow-up to the band’s breakout success, with its true star being the massive-sounding bootleg of a 1975 live show at LA’s Sports Arena.
Blur, The Great Escape [30th Anniversary Edition]
Packed with era-appropriate B-sides, this release celebrates the Britpop quartet in their last gasp of opulent orchestration as they moved into lonely disillusionment and reserved distance.
Max Freedman
In our latest digital cover story, Natalie Mering discusses the heartbreak and global concerns that intertwine on her doom-laced yet oddly sanguine new album And in the Darkness, Hearts Aglow.
Victoria Legrand and Alex Scally discuss how their core aesthetic remains the same as they expand their sonic boundaries.
With her new record label, Bridgers is using an ever-growing platform to promote her musical community in Los Angeles and beyond. Here, she and the label’s signees—including Claud, MUNA, Charlie Hickey, and Sloppy Jane—discuss their growing circle and the challenges of sharing their music through what’s ultimately a business.
The LA-based musician discusses her most collaborative, rock-oriented release yet—one whose “debut album” label tells only part of the story.
Her first of many albums in a highly tailored musical and narrative costume, Clark’s third and most consistent LP set her on a mercurial, cryptic path that continues today.
The genre-defying artist discusses the freedom they felt on “Broken Hearts & Beauty Sleep,” their first release in five years.
SOPHIE massively impacted 21st century music and queer discourse, and the musician’s sudden death leaves a vast, heartbreaking gap.
10 head-turning guest verses to match these strange times.
Kivel’s new LP is his memory map of LA, so we invited him to walk us through his version of the city.
The Boston rock band Krill is back with a new name, a new member, years of activist experience, and plenty to say about living politically.
As the mercurial British artist’s fifth album turns 20, its unintentional foreshadowing of the U.S.’s bleak future remains unsettling.
NNAMDÏ, Sen Morimoto, Glenn Curran, KAINA, and Blacker Face, the label’s co-founders and artists, wind up succeeding as activists without thinking too much about it.
Evanescence, Glass Animals, Jessy Lanza, Thao & the Get Down Stay Down, and their video directors talk about transcending quarantine’s creative limits.
The town hall meeting addressed injustice, the power of donating, and mentoring Black youth.
The narrator of “Superstar” is an ostentatious caricature, but their journey speaks to real concerns.
Meg Remy’s newest album may at first seem apolitical, but it’s just a different take on longtime interests.
His long-awaited seventh album, “Suddenly,” is an exercise in empathy.
In our new digital cover story, Bethany Cosentino talks “Always Tomorrow” and how she got to the point of finally feelin’ good and getting sober.
Deerhoof is said to have grown more accessible over its twenty-five years. Greg Saunier and Satomi Matsuzaki couldn’t agree less.
With a new mural and a 30-year retrospective in Downtown LA, the massively influential artist is moving forward while looking back.
