Articles by Max Freedman

Caroline Rose Is (Carefully) Becoming a Superstar

The narrator of “Superstar” is an ostentatious caricature, but their journey speaks to real concerns.

Don’t Worry, U.S. Girls Is Still an Anti-Capitalist Project

Meg Remy’s newest album may at first seem apolitical, but it’s just a different take on longtime interests.

Caribou’s Dan Snaith: the Family Man Surrounded By Change

His long-awaited seventh album, “Suddenly,” is an exercise in empathy.

Best Coast: Feeling OK for the First Time

In our new digital cover story, Bethany Cosentino talks “Always Tomorrow” and how she got to the point of finally feelin’ good and getting sober.

With Three Reissues, Deerhoof Is Challenging Their Own Critical Narratives

Deerhoof is said to have grown more accessible over its twenty-five years. Greg Saunier and Satomi Matsuzaki couldn’t agree less.

Shepard Fairey Is Here To Stay

With a new mural and a 30-year retrospective in Downtown LA, the massively influential artist is moving forward while looking back.

House of Vans Mastered the Free Show

After closing their Brooklyn hub, the concert and visual arts series lives on as a pop-up event.

Omni Is as Retro as Ever in Their “Courtesy Call” Video

Frankie Broyles and Philip Frobos talk about the “Networker” single and its “Top of The Pops”–recalling video.

For New Deal 1990, Andy Howell Gets A Little Help From His Friends

To honor New Deal Skateboards’ legacy, the skating icon is turning to longtime friends, new followers, and one especially legendary street artist.

On “The Practice of Love,” Jenny Hval Reaches Out

In inviting collaborators to the table, Hval has crafted her most evocative and pop-structured record to date.

The WORLDZ Interview: Red Light EVP and New Era Managing Partner Matt Ringel

Ringel doesn’t just partner brands with artists—he unites household names with shared values.

The WORLDZ Interview: Bandsintown CEO and Co-Founder Fabrice Sergent

Sergent believes that anyone should be able to find live music anywhere, anytime.

Blanck Mass Doesn’t Want to Sell You Anything

On “Animated Violence Mild,” Benjamin John Power praises drag and laments consumerism.

With “Dolphine,” Mega Bog Uses the Surreal to Reflect On Death

In contemplating multiple recent losses in her life, Erin Birgy tightens her grip on the bizarre.

Weyes Blood Isn’t Afraid of Climate Change

The Los Angeles–based musician’s fourth album confronts humanity’s bleak future head-on.

Cate Le Bon Finds Reward in Isolation (and Woodworking)

In cutting herself off from society to study woodworking, Le Bon accidentally wrote her most direct songs to date.

Pile Goes Full-Time

Seven albums in, Pile is finally Rick Maguire’s only gig. He never quite expected to make the leap.

SASAMI Is a New Artist, But You’ve Heard Her Before

Although her self-titled record is her solo debut, she’s contributed to the works of countless others—and her prowess is apparent.

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