Cover features with M.I.A, Wu-Tang Clan, Paul Dano, and Tenacious D with Rob Rogers, plus John Carpenter, Boygenius, Spiritualized, Chai, and more.
FLOOD Issue 09
OCS, “Live at Permanent Records”
John Dwyer reteams with OG Oh See Brigid Dawson for 70 minutes of messy, bootleg-quality live material mirroring their early lo-fi collaborations.
Kim Deal, “Nobody Loves You More”
On her solo debut, The Breeders band leader abandons sarcasm and lo-fi aesthetics in favor of florid arrangements that frame a far more sensitive side of the songwriter.
Miles Davis Quintet, “Miles in France 1963 & 1964: The Bootleg Series, Vol. 8”
With over four hours of previously unheard music, these intense live recordings famously portray the sound of one Davis era’s end and another’s beginning.
This new head honcho of humor is diversifying the formats and faces featured in the revered magazine.
With great power comes great responsibility.
(Looking wistful helps.)
The illustrator and comic book artist walks us through his vision of a world that’s both musical and anti-Seussical.
A conversation on Polaroids, trust, and the humanity of all people with the groundbreaking photographer.
On the concept album “A Short Story About a War,” the Canadian rapper has created a world—and a war—that’ll hit close to home, wherever you are.
Alfonso Cuarón’s follow-up to “Gravity” is Netflix’s first big play for Best Picture. Its star had never acted before.
The Japanese band is rocketing into the West with a full-blown stylistic vision firmly in place. And that vision doesn’t include any preconceived notions of what it means to be “cute.”
Tequila, art, and what it all means, man.
Allison Crutchfield, Kyle Gilbride, and Jeff Bolt were just getting started when Swearin’ first called it quits. But then they said fuck all that and made something new.
The actress best-known as a bubbly tour guide in heaven is learning a lot from playing non-human.
Twin Peaks’ Clay Frankel and Home-Sick’s Chris Bailoni decided to make a group casually, even though the music ended up sounding anything but.
On Lillie West’s debut for Hardly Art, her recent sobriety and a newfound gratitude for life stand resiliently among Chicago’s freaky music scene.
Unlike most supergroups, the debut EP from the songwriting team of Phoebe Bridgers, Julien Baker, and Lucy Dacus invites listeners to hear each artist as an individual.
Jason Pierce considered having the bedroom-recorded “And Nothing Hurt” be the last Spiritualized album—and even though it might not be, it still sounds like quite the finale.
Our biggest print edition yet features four cover stories across two collectible versions, as well as stories on John Carpenter, Spiritualized, Dawoud Bey, boygenius, Alfonso Cuarón’s Roma, and much more.
Our FLOOD 9 cover story on the offbeat (and oft-beat) actor and first-time director.
Our FLOOD 9 cover story on Wu-Tang Clan, the rap group with a religious following.
Our FLOOD 9 cover conversation between ex–Pittsburgh Post-Gazette political cartoonist and an irreverent rock duo.
Our FLOOD 9 cover story on the pop star and fervent activist.
What many consider the scariest movie ever made started as a casual idea tossed out to a young filmmaker who understood the terror inherent within our own homes. That filmmaker also knew how to play the synthesizer.
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