Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Bleachers, Everyone for Ten Minutes
The bigness that Jack Antonoff holds on his band’s latest album is dedicated to the human spirit and the hope of something better—and rockier—for our future.
Lowertown, Ugly Duckling Union
The NYC duo return to their DIY roots on their creatively unbridled second LP, turning a highly unusual concept into something rather heartfelt and wonkily majestic.
Hammock, The Second Coming Was a Moonrise
The Nashville veterans blend the understated melancholia of dream pop with the more dramatic scale of post-rock on their latest album with a nice push-and-pull effect.
Margaret Farrell
It’s the first single from their forthcoming “Hologram” EP, which features a new lineup.
It’s her first single since her 2019 EP “Where My Garden Lies.”
The track made its U.S. debut this morning on FLOOD FM where it will be streaming throughout the day.
The singer’s 8-song project “Be Right Back” is out May 14.
Along with the revamped closer from the group’s 2020 debut album “Honeymoon,” the sisters joined Lili Trifilio for a chat.
It’s the second single from the anticipated follow-up to 2018’s “Caer.”
Day is currently up for an Oscar for her role as Billie Holiday in “The United States vs. Billie Holiday.”
$7k should honestly only cover damages resulting from those sandwiches.
Following their debut EP “Rearview Angel,” it’s the third single this year from Rachel Stewart’s project.
The Los Angeles duo’s debut project “Boy Anonymous” is out May 14.
“Visions” is the second single from the follow-up to 2015’s “Vestiges and Claws.”
The single celebrating the “burning of the old and the rising of the new” arrives ahead of “Man Made,” out June 4.
20 copies of the reissue will carry 7″x7″ photos of the band signed by James Mercer.
Her third album “Home Video” has been slated for release June 25 via Matador.
The two musicians have collaborated multiple times over the years, including Rocky’s 2018 album “Testing.”
Out via Nice Swan Records, the project features shoutouts to 100 gecs, Kanye West, and Ed Sheeran’s “Shape of You.”
The Ottawa-based musician’s debut EP “Hurt Is Boring” is scheduled for May 14.
The latest track from Brent Faiyaz’s first project with producers Dpat and Atu in over two years.
In collaboration with Gwendolyn Gussman, the single’s video symbolizes a chaotic odyssey toward freedom.
“Jubilee” is out June 4 via Dead Oceans, with a new set of tour dates to follow.
