Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Reviews
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This Is Lorelei, Holo Boy
Water From Your Eyes’ Nate Amos digs into his back catalog of nearly 70 releases shared over the last 12 years, revealing his humble beginnings and the seeds of last year’s breakout LP.
Pink Floyd, Wish You Were Here 50
This box set repackages the languid yet damaged follow-up to the band’s breakout success, with its true star being the massive-sounding bootleg of a 1975 live show at LA’s Sports Arena.
Blur, The Great Escape [30th Anniversary Edition]
Packed with era-appropriate B-sides, this release celebrates the Britpop quartet in their last gasp of opulent orchestration as they moved into lonely disillusionment and reserved distance.
Mischa Pearlman
Articles
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Old Kerry McKee Embraces His Project’s Chaotic Old-Timey Energy in “Cattle and Wolves” Video
The new video from the Swedish blues/death-metal musician feels perfectly on-brand.
September 09, 2020
In Conversation
In Conversation: Bright Eyes Persevere on “Down in the Weeds, Where the World Once Was”
Conor Oberst, Mike Mogis, and Nate Walcott discuss how picking up where they left off in 2011 has been a source of comfort for them.
August 19, 2020
Reviews
Jason Molina, “Eight Gates”
There’s a real sense of dread and foreboding in the posthumous record’s dark sinews.
August 10, 2020
In Conversation
In Conversation: Joe Casey Discusses Protomartyr’s Latest Attempt at a “Happy” Album
The Detroit post-punk group’s fifth album “Ultimate Success Today” is out this Friday.
July 14, 2020
Reviews
No Age, “Goons Be Gone”
The LA duo’s fifth record is full of weird and unexpected twists and turns.
July 10, 2020
Reviews
Built to Spill, “Plays the Songs of Daniel Johnston”
The sheer scope of Johnston’s talent shines brightly on Built to Spill’s album-length homage.
June 12, 2020
PREMIERE: Plasma Canvas Revisit 2 a.m. Phone Calls on “Saturn”
The Fort Collins punks share the latest single from their forthcoming EP “KILLERMAJESTIC.”
May 27, 2020
Reviews
Woods, “Strange to Explain”
“Strange to Explain” is a confused swirl of hope, wonder, and melancholy.
May 20, 2020
In Conversation: Brian Fallon Wants to Recharge You with “Local Honey”
The ex-Gaslight Anthem frontman on leaving his label, therapy, and what Bruce Springsteen told him about writing political songs.
March 26, 2020
Phantogram Go Back to the Beginning on “Ceremony”
Sarah Barthel and Josh Carter discuss their move to LA, new album, and longtime bond.
March 12, 2020
In Conversation: Refused’s Dennis Lyxzén Is Still Writing War Music
Lyxzén discusses the politics of the Swedish post-hardcore band’s second new album since 1998’s classic Shape of Punk to Come.
October 15, 2019
by Pedro Margherito
The New Era of Boogarins
The Brazilian psychedelic band discusses “Soumbrou Dúvida” and the benefits of working with a professional engineer.
May 15, 2019
Events
The New Colossus Festival Isn’t Interested in Your Big Headliners
A new Lower East Side music fest is looking to do what CMJ (R.I.P.) and SXSW used to—focus on up-and-coming bands.
March 20, 2019
Panda Bear’s Noah Lennox Hopes New Record “Buoys” Can Be “An Antidote to the Poison”
The Animal Collective co-founder discusses the evolution of his songwriting and the significance of ocean buoys.
February 06, 2019
At Home with Spiritualized, an Orchestra of One
Jason Pierce considered having the bedroom-recorded “And Nothing Hurt” be the last Spiritualized album—and even though it might not be, it still sounds like quite the finale.
November 13, 2018
Reviews
Pixies, “Come On Pilgrim… It’s Surfer Rosa”
Both their debut EP and LP—now repackaged together—sound as fresh, inspired, and inventive as they did three decades ago.
October 08, 2018
Reviews
Speedy Ortiz, “Twerp Verse”
The band deliberately favor Pavement-inspired oddness in an attempt to introduce some levity.
May 04, 2018
Reviews
Sting & Shaggy, “44/876”
A heartfelt tribute to both Jamaica and Caribbean music that’s much better than it has any right to be—but cool, it is not.
April 27, 2018
Reviews
Superchunk, “What a Time to Be Alive”
Superchunk’s “What a Time to Be Alive” combines the irreverent with the thoughtful, and the jittery, chaotic melodies reflect a nervous wreck of a world.
February 28, 2018
Reviews
No Age, “Snares Like a Haircut”
No Age’s “Snares Like a Haircut” is a record that offers some kind of solace while also invoking the unnerving and disquieting times we live in.
January 25, 2018
