Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
This Is Lorelei, Holo Boy
Water From Your Eyes’ Nate Amos digs into his back catalog of nearly 70 releases shared over the last 12 years, revealing his humble beginnings and the seeds of last year’s breakout LP.
Pink Floyd, Wish You Were Here 50
This box set repackages the languid yet damaged follow-up to the band’s breakout success, with its true star being the massive-sounding bootleg of a 1975 live show at LA’s Sports Arena.
Blur, The Great Escape [30th Anniversary Edition]
Packed with era-appropriate B-sides, this release celebrates the Britpop quartet in their last gasp of opulent orchestration as they moved into lonely disillusionment and reserved distance.
A.D. Amorosi
The glam-punk guitarist has passed away at the age of 69 after a two-year battle with cancer.
The Apple TV+ series and forthcoming feature prove that the director/writer still has many scary tricks up his sleeve.
A colour-enhanced image of English singer and musician David Bowie, exaggerating his heterochromia iridis, 1973. This photo was taken in Paris during a photoshoot for Bowie’s ‘Pin Ups’ album.
Mike Garson, Michael C. Hall, Duran Duran’s Simon Le Bon, and more discuss their multimedia celebrations of Bowie on what would have been his 74th birthday.
12 records we were pleased to see renewed and revamped.
If anything was an enabler of glam pop, it was “Lola.”
JPEGMAFIA keeps it mean while on the major label tip.
The Cornell estate gifts us with 10 subtle covers focused on melodic gems with a soft ensemble as backing.
The filmmaker talks profiling MacGowan, Johnny Depp’s role in the project, and peroxide-haired ’80s punk.
By his lonesome, Richard H. Kirk is still making endearingly intrusive electronic noise with nagging catchiness in its subtle hooks
The Tool and A Perfect Circle frontman and bandmate Carina Round talk the band’s latest record, “Existential Reckoning.”
What we’re excited for on the last weekend of RSD’s pandemic-necessitated four-part event.
Jarvis Cocker, at his home in the Peak District, UK. June 17, 2020.
Tom Jamieson for The New York Times
In support of his new concert film, Cocker recalls his slow adaptation to live performance and explains his unexpected obsession with caves.
No one’s excesses are as glorious and ornate as Elton John’s.
This recording of Cave’s tearful solo performance offers warmth, elegance, and smart solace.
The reissue of Costellos’ maximal-overdrive third LP manages to sound crisper than its original recording.
Khan’s jazz album is a logical continuation of the merry-making avant-garde that defines every other KK record.
“Knives” is the sound of a pre-pandemic band going for all the weird gusto they can.
The incendiary music-making trio from Colombia’s Caribbean coast fuse Afro-house and Indigenous rhythms with a frank, humanist political stance.
The animated four-piece host the wildest, most guest-heavy apocalyptic party since “This Is the End.”
What we’re excited for on the third weekend of RSD’s pandemic-necessitated three-part event, ahead of its November Black Friday finale.
