Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kelsey Lu, So Help Me God
On their second LP, Lu taps Jack Antonoff and Yves Rothman to co-produce a fascinating tapestry of pop, R&B, electronica, classical, folk, and everything avant-garde in between.
Genghis Tron, Signal Fire
The cacophony of ideas on display on the transhumanist metal band’s dystopian fourth album reflects the relentless, manic digi-present we find ourselves in today.
Vince Staples, Cry Baby
On his first release away from Def Jam, the emcee spends more time looking outward than inward, peering into a communal politic with more rock to his roll than ever before.
Margaret Farrell
The Dan Auerbach-produced “Stand for Myself” is out July 30 on Easy Eye Sound.
The single was produced by MELVV and Jai Wolf.
“Telephonebooth” is out May 7 via Wikset Enterprise.
It’s the debut single on the band’s new imprint label Snack Shack Tracks through LA’s Hopeless Records.
It’s the first single from their forthcoming “Hologram” EP, which features a new lineup.
It’s her first single since her 2019 EP “Where My Garden Lies.”
The track made its U.S. debut this morning on FLOOD FM where it will be streaming throughout the day.
The singer’s 8-song project “Be Right Back” is out May 14.
Along with the revamped closer from the group’s 2020 debut album “Honeymoon,” the sisters joined Lili Trifilio for a chat.
It’s the second single from the anticipated follow-up to 2018’s “Caer.”
Day is currently up for an Oscar for her role as Billie Holiday in “The United States vs. Billie Holiday.”
$7k should honestly only cover damages resulting from those sandwiches.
Following their debut EP “Rearview Angel,” it’s the third single this year from Rachel Stewart’s project.
The Los Angeles duo’s debut project “Boy Anonymous” is out May 14.
“Visions” is the second single from the follow-up to 2015’s “Vestiges and Claws.”
The single celebrating the “burning of the old and the rising of the new” arrives ahead of “Man Made,” out June 4.
20 copies of the reissue will carry 7″x7″ photos of the band signed by James Mercer.
Her third album “Home Video” has been slated for release June 25 via Matador.
The two musicians have collaborated multiple times over the years, including Rocky’s 2018 album “Testing.”
Out via Nice Swan Records, the project features shoutouts to 100 gecs, Kanye West, and Ed Sheeran’s “Shape of You.”
