Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Of Montreal, Aethermead
Kevin Barnes rallies something bracingly emotional on their 20th album in 30 years, sounding more crisply, contagiously, singularly psychedelic than they have in ages.
Olivia Rodrigo, You Seem Pretty Sad for a Girl So in Love
Teetering between the influences of ’80s new wave and ’90s alt-rock, the pop star’s third album is a journey from jubilant lovesickness to a fatalistic collapse into romantic decay.
Goose, Big Modern!
At once their most even-keeled and explosively hook-crowded album yet, the jam-grinding ensemble’s latest is a stretch toward something uniquely slick and end-timey.
A.D. Amorosi
What we’re excited for on the third weekend of RSD’s pandemic-necessitated three-part event, ahead of its November Black Friday finale.
The industrial hip-hop group’s allegorical monsters are all too real on their latest LP.
Though recorded in a pre-pandemic setting last winter, “Letter to You” feels unusually safe.
The Kentucky-born-and-bred singer-songwriter is shutting down small-minded prejudices.
Garzón-Montano has created one of the most thought-provoking and atmospheric R&B albums of 2020.
The “Gimme Some Truth” box makes Lennon’s solo output sound better, brighter, and of a piece.
The mostly vocal album plucks from all that made the Sonic Youth dynamic so prickly and daring.
The Chilean-French artist moves from the screen and the page to the human body with his new film, “Psychomagic: A Healing Art.”
“New York” gets the deluxe box set treatment this week, while “Drella” gets a Record Store Day release three weeks later, a first on vinyl.
What we’re excited for on the second weekend of RSD’s pandemic-necessitated three-part event.
The composers of Janelle Monáe’s newest film discuss the project, as well as their origins in the Wondaland Arts Society.
The multifaceted songwriter discusses the amorphous “Gen Hoshino genre,” his new American audience, and his contribution to Dua Lipa’s new remix LP.
Neither of these jazz recordings is any less mysterious or magical just because they’re finally available at large.
The reason to invest in Super Deluxe “Soup” is the once-pricey “Brussels Affair” live bootleg.
This lot, quiet or loud, make for an exquisite vision of T. Rex.
The latest from the Lips is a peculiarly placid sound that only this collection of artists seem capable of making.
The Alice Coltrane–gifted pseudonym resurfaced for a third record, released last Friday.
RSD’s pandemic-necessitated three-part event kicks off this weekend—we talked to co-creator Michael Kurtz about what to expect, as well as preview twelve releases we’re excited for.
The record’s touching maturity doesn’t always jive with the wonton ways of its flaming musicality.
Ernest Green discusses his new album “Purple Noon,” the French film that inspired it, and his newfound love for collaboration.
