With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Gloin, All of your anger is actually shame (and I bet that makes you angry)
On their second album, the Toronto band taps into the fury of their post-punk forebears with a polished set of psychological insights that feel angry in all the right ways.

Great Grandpa, Patience, Moonbeam
An experiment in more collaborative songwriting, the band’s highly ambitious first album in over five years truly shines when all of its layered ideas are given proper room to breathe.

Bryan Ferry & Amelia Barratt, Loose Talk
This ghostly collaborative album with spoken-word artist Barratt finds the Roxy Music leader digging his own crates for old demos and warped melodies that went unused until now.
Mischa Pearlman

While its experimental attitude should be applauded, “Shiver” is at its best when Jonsí tiptoes across familiar ground.

These 13 tracks are as oddball and incohesive as should be expected from the California band.

In lieu of their planned Japanese tour, Houston’s Overo and Tokyo’s Asthenia share four new songs.

“Sun Racket” finds frontwoman Kristin Hersh on her trademark fine and fiery form.

The new video from the Swedish blues/death-metal musician feels perfectly on-brand.

Conor Oberst, Mike Mogis, and Nate Walcott discuss how picking up where they left off in 2011 has been a source of comfort for them.

There’s a real sense of dread and foreboding in the posthumous record’s dark sinews.

The Detroit post-punk group’s fifth album “Ultimate Success Today” is out this Friday.

The LA duo’s fifth record is full of weird and unexpected twists and turns.

The sheer scope of Johnston’s talent shines brightly on Built to Spill’s album-length homage.

The Fort Collins punks share the latest single from their forthcoming EP “KILLERMAJESTIC.”

“Strange to Explain” is a confused swirl of hope, wonder, and melancholy.

The ex-Gaslight Anthem frontman on leaving his label, therapy, and what Bruce Springsteen told him about writing political songs.

Sarah Barthel and Josh Carter discuss their move to LA, new album, and longtime bond.

Lyxzén discusses the politics of the Swedish post-hardcore band’s second new album since 1998’s classic Shape of Punk to Come.

by Pedro Margherito
The Brazilian psychedelic band discusses “Soumbrou Dúvida” and the benefits of working with a professional engineer.

A new Lower East Side music fest is looking to do what CMJ (R.I.P.) and SXSW used to—focus on up-and-coming bands.

The Animal Collective co-founder discusses the evolution of his songwriting and the significance of ocean buoys.

Jason Pierce considered having the bedroom-recorded “And Nothing Hurt” be the last Spiritualized album—and even though it might not be, it still sounds like quite the finale.

Both their debut EP and LP—now repackaged together—sound as fresh, inspired, and inventive as they did three decades ago.