With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Preoccupations, Ill at Ease
The Calgary post-punks couldn’t sound more comfortable in their own skin on their ironically titled fifth album, which seamlessly alternates between joyful and haunting moods.

Provoker, Mausoleum
Production from Kenny Beats heightens the LA trio’s signature gloominess on their third album of mournful 19th century gothic narratives and mirthful 1980s horror nostalgia.

Various artists, True Names: A Benefit for Trans Youth
Worry Bead Records compiles tracks from Squirrel Flower, Remember Sports, 22° Halo, and more conjuring a wistful world of lo-fi elegance while raising funds for a very worthwhile cause.
Soren Baker

With his new single “Dog Eat Dog” out now, the former Flosstradamus producer prepares an EP of trunk-rattling, energetic beats made for the club.

With the innovative “Story to Tell (Chapter One),” famed producer/DJ J.PERIOD delivers one of the most ambitious rap projects of the year.

Soren Baker recalls two late-’90s interviews with the rapper, who passed away last week at 50.

The legendary Minneapolis singer/musician is featured on the season debut of TV One’s “Unsung” series, highlighting his remarkable career.

With his new LP “How We Intended,” the New York rapper examines the beauty he sees in the struggle to achieve artistic and personal peace.

The three-man band of Pharoahe Monch, Daru Jones, and Marcus Machado channel rage and musical amorphism on the stark “A Magnificent Day for an Exorcism.”

Fueled by a desire to make life better for himself and his family, Slatt Zy drips emotion on his charged new collection “East Lake Projects.”

Producer Dem Jointz and the thirteen-year-old vocalist discuss Bryant’s powerful viral hit “I Just Wanna Live” and collaborating on a full EP.

The Public Enemy rapper expounds on America’s technological dependency and how people on both sides of the fence may be getting duped.

Kamasi Washington, Robert Glasper, 9th Wonder, and Terrace Martin on how their new supergroup is fit for the post–George Floyd world.

The North Carolina–based rapper shares how his past shaped second album of 2020.

The four artists want the music of their self-titled debut to bring people together.

The Wu-Tang Clan architect explains why ODB’s fearlessness contributed to his magic.

Reflecting on Kobe’s long relationship with music and the industry’s profound appreciation of him.

Kendrick Lamar at FYF / photo by Rozette Rago
What the genre has been through in the last ten years.

David Bowden talks the compromises he’s refused to make with his chart-topping, guitar-driven R&B.

The LA rapper discusses the bad friends and desire for solitude that inspired her recent EP “Cry 4 Help.”

Pabst Blue Ribbon commissioned the muralist to create limited edition beer packaging. Today—the inaugural National Mural Day—marks the pair’s next collaboration.

The Los Angeles–based producer learned the value of his music after being sampled by JAY-Z, leading to collaborations with Ghostface Killah and Black Thought.

Our FLOOD 9 cover story on Wu-Tang Clan, the rap group with a religious following.