With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Princess Nokia, Girls
With her fourth album of punky and provocative raps, the Nuyorican artist is once again reimagining hip-hop as a dangerous place to be.

Blawan, SickElixir
A dense, monolithic collection, the English DJ’s true speaker-blower of a second album sits somewhere between industrial techno, post-dubstep, and IDM.

Snõõper, Worldwide
The Nashville punks’ second album is less sonically gritty than previous projects, but has an added intensity largely stemming from an expanded studio band and sleeker production.
A.D. Amorosi

No one’s excesses are as glorious and ornate as Elton John’s.

This recording of Cave’s tearful solo performance offers warmth, elegance, and smart solace.

The reissue of Costellos’ maximal-overdrive third LP manages to sound crisper than its original recording.

Khan’s jazz album is a logical continuation of the merry-making avant-garde that defines every other KK record.

“Knives” is the sound of a pre-pandemic band going for all the weird gusto they can.

The incendiary music-making trio from Colombia’s Caribbean coast fuse Afro-house and Indigenous rhythms with a frank, humanist political stance.

The animated four-piece host the wildest, most guest-heavy apocalyptic party since “This Is the End.”

What we’re excited for on the third weekend of RSD’s pandemic-necessitated three-part event, ahead of its November Black Friday finale.

The industrial hip-hop group’s allegorical monsters are all too real on their latest LP.

Though recorded in a pre-pandemic setting last winter, “Letter to You” feels unusually safe.

The Kentucky-born-and-bred singer-songwriter is shutting down small-minded prejudices.

Garzón-Montano has created one of the most thought-provoking and atmospheric R&B albums of 2020.

The “Gimme Some Truth” box makes Lennon’s solo output sound better, brighter, and of a piece.

The mostly vocal album plucks from all that made the Sonic Youth dynamic so prickly and daring.

The Chilean-French artist moves from the screen and the page to the human body with his new film, “Psychomagic: A Healing Art.”

“New York” gets the deluxe box set treatment this week, while “Drella” gets a Record Store Day release three weeks later, a first on vinyl.

What we’re excited for on the second weekend of RSD’s pandemic-necessitated three-part event.

The composers of Janelle Monáe’s newest film discuss the project, as well as their origins in the Wondaland Arts Society.

The multifaceted songwriter discusses the amorphous “Gen Hoshino genre,” his new American audience, and his contribution to Dua Lipa’s new remix LP.

Neither of these jazz recordings is any less mysterious or magical just because they’re finally available at large.