Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Searows, Death in the Business of Whaling
Alec Duckart’s nautically themed second album infuses its emotionally fragile indie-folk with a trudging heaviness that pushes toward doom-metal territory.
Camper, Campilation
Flush with a historic list of Black voices both past and present, the producer’s debut album sees him devise yet another way to remake the wheel of soul.
Alan Vega, Alan Vega [Deluxe Edition]
This remastering of the late Suicide frontman’s wired-weirdly rockabilly debut is bolstered by demos and scratch tracks that offer a rare glimpse into the artistic process.
Mischa Pearlman
The duo’s 13th full-length often sounds less like a collection of songs than a manifestation of the frequency of existence.
This 11th studio album isn’t as cohesive as some of the band’s previous efforts, but it shows they’re still evolving.
Mikaiah Lei discusses the new perspective that influenced his sophomore album that was seven years in the making.
Beneath the facepalm titles on the band’s third full-length lie songs full of heart, purpose, and meaning.
Chris Simpson also talks the past, present, and future of the band in a Q&A about his accompanying vinyl reissue project.
The third full-length from Jack Antonoff feels devoid of heart and soul, fizzling and fading forgettably into the background.
The Daughters vocalist’s solo debut captures the collapse of society over the course of a tormented, uneven 9 tracks.
The posthumous debut from the New Hollywood actress is an album of ghosts and haunted hearts.
There’s still darkness present on the noise rock band’s latest EP, but it’s more of a shadow than an abyss.
The songwriter’s new collection of drawings is a practical, humorous, and irreverent guide to overcoming his (and, by extension, our) anxieties and depression.
While often an uneven mess of sound, there are some real gems to be found on this DC Comics compilation.
The debut LP from the At the Drive-In co-founder tussles with indie-pop and boisterous stadium rock.
The ska-punk collective finds itself as boisterous, relevant, and energetic as ever before on their new EP.
The songwriter/visual artist discusses 11 pieces that tie into the fictional Whispering Pines universe.
Hatfield’s 17th collection of original solo material is a fever dream entirely of the indie legend’s own creation.
While this homage to hard rock isn’t a return to the great heights the band has scaled in the past, it’s also far removed from the valleys they’ve trudged through.
There’s a loose recklessness to these classic alt-rock melodies that convey being stuck in a rut—but also the determination to get out of it.
The French prog metal collective’s seventh album is a tornado of blastbeats, guttural growls, and devilish incantations.
In a Q&A, the London-based artist shared their thoughts on the classical new single, transness, and the duality of identity.
Helen Ballentine’s sophomore EP is just as resplendent and poignant as that first release.
