FLOOD

FLOOD is a new, influential voice that spans the diverse cultural landscape of music, film, television, art, travel, and everything in between.
A.D. Amorosi
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Reviews
Cabaret Voltaire, “Shadow of Fear”

By his lonesome, Richard H. Kirk is still making endearingly intrusive electronic noise with nagging catchiness in its subtle hooks

December 03, 2020
In Conversation
In Conversation: Maynard James Keenan’s Existential Dilemma with Puscifer

The Tool and A Perfect Circle frontman and bandmate Carina Round talk the band’s latest record, “Existential Reckoning.”

December 01, 2020
FLOOD’s Guide to Record Store Day Black Friday: John Prine, Pop Smoke, My Chemical Romance, and More

What we’re excited for on the last weekend of RSD’s pandemic-necessitated four-part event.

November 25, 2020

Jarvis Cocker, at his home in the Peak District, UK. June 17, 2020.

Tom Jamieson for The New York Times

In Conversation
In Conversation: Jarvis Cocker Takes Us to the Roots of His Work as JARV IS…

In support of his new concert film, Cocker recalls his slow adaptation to live performance and explains his unexpected obsession with caves.

November 24, 2020
Reviews
Elton John, “Jewel Box”

No one’s excesses are as glorious and ornate as Elton John’s.

November 23, 2020
Reviews
Nick Cave, “Idiot Prayer: Nick Cave Alone at Alexandra Palace”

This recording of Cave’s tearful solo performance offers warmth, elegance, and smart solace.

November 19, 2020
Reviews
Elvis Costello, “Armed Forces: Super Deluxe Edition”

The reissue of Costellos’ maximal-overdrive third LP manages to sound crisper than its original recording.

November 16, 2020
Reviews
King Khan, “The Infinite Ones”

Khan’s jazz album is a logical continuation of the merry-making avant-garde that defines every other KK record.

November 12, 2020
Reviews
The Mountain Goats, “Getting Into Knives”

“Knives” is the sound of a pre-pandemic band going for all the weird gusto they can.

October 30, 2020
Ghetto Kumbé on Embracing Cumbia, Indigenous Communities, and a Politics of Forgiveness

The incendiary music-making trio from Colombia’s Caribbean coast fuse Afro-house and Indigenous rhythms with a frank, humanist political stance.

October 29, 2020
Reviews
Gorillaz, “Song Machine: Season One – Strange Timez”

The animated four-piece host the wildest, most guest-heavy apocalyptic party since “This Is the End.”

October 26, 2020
FLOOD’s Guide to Record Store Day 2020 Part 3: Chromeo, Miles Davis, Grateful Dead, and More

What we’re excited for on the third weekend of RSD’s pandemic-necessitated three-part event, ahead of its November Black Friday finale.

October 23, 2020
clipping. Discuss the Horror, Afrofuturism, and Reality of “Visions of Bodies Being Burned”

The industrial hip-hop group’s allegorical monsters are all too real on their latest LP.

October 22, 2020
Reviews
Bruce Springsteen, “Letter to You”

Though recorded in a pre-pandemic setting last winter, “Letter to You” feels unusually safe.

October 22, 2020
Breaking
S.G. Goodman on the New, Fresh, and Politicized Country of “Old Time Feeling”

The Kentucky-born-and-bred singer-songwriter is shutting down small-minded prejudices.

October 16, 2020
Reviews
Gabriel Garzón-Montano, “Agüita”

Garzón-Montano has created one of the most thought-provoking and atmospheric R&B albums of 2020.

October 14, 2020
Reviews
John Lennon, “Gimme Some Truth: The Ultimate Mixes”

The “Gimme Some Truth” box makes Lennon’s solo output sound better, brighter, and of a piece.

October 12, 2020
Reviews
Thurston Moore, “By the Fire”

The mostly vocal album plucks from all that made the Sonic Youth dynamic so prickly and daring.

October 07, 2020
Film + TVIn Conversation
In Conversation: Alejandro Jodorowsky on the Intersection of Art and Healing

The Chilean-French artist moves from the screen and the page to the human body with his new film, “Psychomagic: A Healing Art.”

October 05, 2020
Reviews
Lou Reed, “New York: Deluxe Edition” + Lou Reed & John Cale, “Songs for Drella”

“New York” gets the deluxe box set treatment this week, while “Drella” gets a Record Store Day release three weeks later, a first on vinyl.

September 30, 2020
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