Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Lime Garden, Maybe Not Tonight
The cocktail of frustration, insecurity, and lust that courses through the Brighton quartet’s buzzing and adventurous second album mirrors the trajectory of an energetic night out.
MEMORIALS, All Clouds Bring Not Rain
The genre-hopping fifth LP from Verity Susman and Matthew Simms is more ornate and ambitious than their earlier material, though ultimately the whole is lesser than the sum of the parts.
Filth Is Eternal, Impossible World
Vibrant, dexterous, and unrelentingly compelling, the Seattle hardcore-punks’ fourth album sees them mature into a band adept at writing songs lasting more than two minutes.
Mischa Pearlman
Hatfield’s 17th collection of original solo material is a fever dream entirely of the indie legend’s own creation.
While this homage to hard rock isn’t a return to the great heights the band has scaled in the past, it’s also far removed from the valleys they’ve trudged through.
There’s a loose recklessness to these classic alt-rock melodies that convey being stuck in a rut—but also the determination to get out of it.
The French prog metal collective’s seventh album is a tornado of blastbeats, guttural growls, and devilish incantations.
In a Q&A, the London-based artist shared their thoughts on the classical new single, transness, and the duality of identity.
Helen Ballentine’s sophomore EP is just as resplendent and poignant as that first release.
On the outfit’s second LP, Jenn Wasner refrains from giving in entirely to obvious melodies and instrumentation.
A quarter of a decade on, the band’s debut remains a worthy companion for both aimless road trips and personal crossroads.
This self-titled debut draws on the members’ vast pool of experience, as well as the chemistry of their intertwined personal lives.
This 2009 LP is a reinforcement of The Clean’s rightful place in the pantheon of quirky alternative rock.
The songwriter discusses his new Aaron Dessner–produced LP and the unreal times that inspired it.
VanGaalen’s seventh proper studio album is pure nourishment for the soul—the sound of nature taking over again.
The bummer-pop quartet’s latest is an EP of feelings, memories, regrets and hope of actively seeking the elixir for life’s hardships.
The viral YouTube covers artist humbly discusses his unexpected rise to online stardom.
While the amusement value of the track list is high, the music lags behind at times.
This is the sound of a band burrowing deep into the heart of its genre, ripping it apart and reviving.
The LA rockers kick off 2021 with an upbeat—though emotionally complex—single.
The debut from the avant-garde supergroup demonstrates the power of collaboration, but struggles with cohesion and emotional drive.
The Canadian punks’ pugnacious third LP is also their most tender and nuanced release yet.
The doomy pair share more mournful explosions of existential tragedy and aggressive solemnity that transcend genre.
