With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Neil Young, Coastal: The Soundtrack
Documenting his 2023 tour, Young’s umpteenth live album both simplifies the noise of Crazy Horse’s recent recordings and solidly renders familiar hits in a solo setting.

Adrian Younge, Something About April III
The third and final installment of his vintage psych-soul trilogy sees the songwriter bring the large history of Brazil into a tight narrative revolving around young love and class struggle.

Julien Baker & TORRES, Send a Prayer My Way
Baker and Mackenzie Scott’s debut pop-country collaboration is made up of a nuanced and emotionally kinetic set of hangdog story-songs that wear their nudie suits with pride.
Mischa Pearlman

The songwriter’s new collection of drawings is a practical, humorous, and irreverent guide to overcoming his (and, by extension, our) anxieties and depression.

While often an uneven mess of sound, there are some real gems to be found on this DC Comics compilation.

The debut LP from the At the Drive-In co-founder tussles with indie-pop and boisterous stadium rock.

The ska-punk collective finds itself as boisterous, relevant, and energetic as ever before on their new EP.

The songwriter/visual artist discusses 11 pieces that tie into the fictional Whispering Pines universe.

Hatfield’s 17th collection of original solo material is a fever dream entirely of the indie legend’s own creation.

While this homage to hard rock isn’t a return to the great heights the band has scaled in the past, it’s also far removed from the valleys they’ve trudged through.

There’s a loose recklessness to these classic alt-rock melodies that convey being stuck in a rut—but also the determination to get out of it.

The French prog metal collective’s seventh album is a tornado of blastbeats, guttural growls, and devilish incantations.

In a Q&A, the London-based artist shared their thoughts on the classical new single, transness, and the duality of identity.

Helen Ballentine’s sophomore EP is just as resplendent and poignant as that first release.

On the outfit’s second LP, Jenn Wasner refrains from giving in entirely to obvious melodies and instrumentation.

A quarter of a decade on, the band’s debut remains a worthy companion for both aimless road trips and personal crossroads.

This self-titled debut draws on the members’ vast pool of experience, as well as the chemistry of their intertwined personal lives.

This 2009 LP is a reinforcement of The Clean’s rightful place in the pantheon of quirky alternative rock.

The songwriter discusses his new Aaron Dessner–produced LP and the unreal times that inspired it.

VanGaalen’s seventh proper studio album is pure nourishment for the soul—the sound of nature taking over again.

The bummer-pop quartet’s latest is an EP of feelings, memories, regrets and hope of actively seeking the elixir for life’s hardships.

The viral YouTube covers artist humbly discusses his unexpected rise to online stardom.

While the amusement value of the track list is high, the music lags behind at times.