FLOOD

FLOOD is a new, influential voice that spans the diverse cultural landscape of music, film, television, art, travel, and everything in between.
Mischa Pearlman
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Reviews
Bleachers, “Take the Sadness Out of Saturday Night”

The third full-length from Jack Antonoff feels devoid of heart and soul, fizzling and fading forgettably into the background.

August 02, 2021
Reviews
Alexis Marshall, “House of Lull . House of When”

The Daughters vocalist’s solo debut captures the collapse of society over the course of a tormented, uneven 9 tracks.

July 22, 2021
Reviews
Karen Black, “Dreaming of You (1971-1976)”

The posthumous debut from the New Hollywood actress is an album of ghosts and haunted hearts.

July 19, 2021
Reviews
A Place to Bury Strangers, “Hologram”

There’s still darkness present on the noise rock band’s latest EP, but it’s more of a shadow than an abyss.

July 14, 2021
Art & Culture
Brett Newski Shares a Glimpse Into His New Book of Sketches “It’s Hard to Be a Person”

The songwriter’s new collection of drawings is a practical, humorous, and irreverent guide to overcoming his (and, by extension, our) anxieties and depression.

June 22, 2021
Reviews
Various Artists, “Dark Nights: Death Metal Soundtrack”

While often an uneven mess of sound, there are some real gems to be found on this DC Comics compilation.

June 18, 2021
Reviews
Jim Ward, “Daggers”

The debut LP from the At the Drive-In co-founder tussles with indie-pop and boisterous stadium rock.

June 18, 2021
Reviews
The Bruce Lee Band, “Division in the Heartland”

The ska-punk collective finds itself as boisterous, relevant, and energetic as ever before on their new EP.

June 01, 2021
Lord Huron’s Ben Schneider Walks Us Through His Artwork for “Long Lost”

The songwriter/visual artist discusses 11 pieces that tie into the fictional Whispering Pines universe.

June 01, 2021
Reviews
Juliana Hatfield, “Blood”

Hatfield’s 17th collection of original solo material is a fever dream entirely of the indie legend’s own creation.

May 19, 2021
Reviews
Weezer, “Van Weezer”

While this homage to hard rock isn’t a return to the great heights the band has scaled in the past, it’s also far removed from the valleys they’ve trudged through.

May 12, 2021
Reviews
Big Mother Gig, “Gusto”

There’s a loose recklessness to these classic alt-rock melodies that convey being stuck in a rut—but also the determination to get out of it.

May 10, 2021
Reviews
Gojira, “Fortitude”

The French prog metal collective’s seventh album is a tornado of blastbeats, guttural growls, and devilish incantations.

May 07, 2021
Susan Embraces the Patheticness of Love on New Single “Hold Still”

In a Q&A, the London-based artist shared their thoughts on the classical new single, transness, and the duality of identity.

April 30, 2021
Reviews
Skullcrusher, “Storm in Summer”

Helen Ballentine’s sophomore EP is just as resplendent and poignant as that first release.

April 23, 2021
Reviews
Flock of Dimes, “Head of Roses”

On the outfit’s second LP, Jenn Wasner refrains from giving in entirely to obvious melodies and instrumentation.

April 22, 2021
Feeling Spaced: 25 Years of Modest Mouse’s “This Is a Long Drive for Someone with Nothing to Think About”

A quarter of a decade on, the band’s debut remains a worthy companion for both aimless road trips and personal crossroads.

April 16, 2021
Reviews
Corvair, “Corvair”

This self-titled debut draws on the members’ vast pool of experience, as well as the chemistry of their intertwined personal lives.

April 13, 2021
Reviews
The Clean, “Mister Pop” [vinyl reissue]

This 2009 LP is a reinforcement of The Clean’s rightful place in the pantheon of quirky alternative rock.

March 25, 2021
In Conversation
In Conversation: Ben Howard on the Unlikely Tales of “Collections From the Whiteout”

The songwriter discusses his new Aaron Dessner–produced LP and the unreal times that inspired it.

March 24, 2021
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